The official music video for the song "Falsified And Hated" from Norwegian black metal veterans MAYHEM can be seen below. The track is taken from the band's latest album, "Daemon", which was released on October 25 via Century Media.
Guitarist Teloch comments: "This is the first official music video we have released, so indeed some thought went into this. Instead of having us filmed at some dodgy location with instruments not even plugged in, we did something different, in the true tradition of the band. We hired Johan Bååth (WATAIN, etc.) as a director and we also were lucky enough to get the infamous Swedish graffiti artist Ziggy Jonas Rasmusson to do his ritualistic paintings for the video."
Producer Tore Stjerna states: "It's a very strong track with tons of energy. It also stands out in an interesting way with its hints towards industrial music. The insanity of this roller-coaster ride of a song marries beautifully with the twisted art featured in the video."
Director Johan Bååth says: "When I was asked to do the very first MAYHEM music video, I thought I really had to do something more than just a plain black metal video, I wanted to take it one step further and do something different but stay true to the genre and, of course, MAYHEM's iconic legacy as a band. I thought of the artist Ziggy Jonas Rasmusson and his ritualistic paintings and I asked him if he wanted to participate. Together we came up with this idea of a ritualistic painted pentagon-shaped room, completely surrounded by five painted walls, facing a centered pentagram-painting with Ziggy's 'hex-text'signs and symbols all over, each of the five point corners symbolizing human expiration. In the middle, we see an organic neoplasm tumor-like shaped form, all muddy and dirty with wooden branches ensnared around it. The surreal and scary-looking outgrowth is almost breathing with dark energy, attached to several plastic tubes connected to five cloaked characters symbolizing the five members of MAYHEM. They're completely occupied with different ritual tasks destroying all humanity and contributing matter and dark energy to the demon creation in the middle."
By the power of darkness and with the might of black-hearted will no two MAYHEM albums have been or will ever be the same. Over the course of MAYHEM's storied and groundbreaking 35-year career — from "Deathcrush" (1987) through "Esoteric Warfare" (2014) — the Norwegians have continuously challenged the orthodoxy of the genre they helped create. Originally informed by greats HELLHAMMER, VENOM, BATHORY and SODOM, MAYHEM eventually imbued its damnable attack with influences from all over the music extreme spectrum, indicated first on the harsh and angular "Wolf's Lair Abyss" (1997) EP and foremost on the enterprisingly brutal and revolutionary "Grand Declaration Of War" (2000).
"Daemon" isn't a direct follow-up to "Esoteric Warfare". Like all MAYHEM albums of their time, "Daemon" is unto itself. The wolf solitary and singular. Indeed, "Daemon" also isn't a new chapter in MAYHEM's storied career. Rather, it's a new tome, authoritative yet wild in character. Composed and decomposed with the same lineup — Necrobutcher (bass), Hellhammer (drums), Attila (vocals), Teloch (guitars) and Ghul (guitars) — that handled "Esoteric Warfare" and performed "De Mysteriis Dom Sathanas" in its entirety over the last few years, "Daemon" isn't a retrofit of classic songs like "Freezing Moon", "Pagan Fears" or "Buried By Time And Dust" either. That's what the live album, "De Mysteriis Dom Sathanas Alive" (2016), was for. "Daemon" is change, an opportunity for the maw of hell to open wider.
"MAYHEM will always be MAYHEM," says Teloch. "If we put the genre game aside a bit, no one else sounds like MAYHEM. Even when 'De Mysteriis' came out, it was not at first considered to be a black metal album, if my memory serves me right. Tricky to label this band. Metal would be the most fitting; it's not pure black metal, in my opinion. Not sure it has ever been actually, despite what the general opinion is. People can call it whatever they want. If it's black metal to them, then fine. We don't really care. To me, it's important to keep some sort of black metal vibe at least."
MAYHEM entered NBS Audio Studio (a.k.a. Necromorbus Studio) in Söderfors, Sweden to record drums and vocals with producer/engineer Tore Stjerna. Newly consecrated Studio A (Stjerna's Stockholm studio will continue to operate as Studio B) in an old church, Hellhammer and Csihar recorded their respective parts for "Daemon". The band then had Ghul record his guitars in the Netherlands, while the bass was engineered by Teloch and performed by Necrobutcher at Lupercal Studio in Oslo, Norway. Teloch took his guitar tracking to SleikBallaMi Studio, also in Oslo. "Daemon" was then brought back to Stjerna for mixing and sent off to Thomas Johansson at The Panic Room for mastering. The whole affair took about three months to nail down.
"Daemon" track listing:
01. The Dying False King
02. Agenda Ignis
03. Bad Blood
05. Falsified And Hated
06. Aeon Daemonium
07. Worthless Abomination Destroyed
08. Daemon Spawn
09. Of Worms And Ruins
10. Invoke The Oath
Certainly, the art of the album cover can be hit or miss. Not for MAYHEM. The Norwegians have crafted an aesthetic that's both harrowing and insidious. From the low contrast majesty of "De Mysteriis Dom Sathanas" and the blurry haunt of "Chimera" to the suggestive intensity of "Grand Declaration Of War" and "Esoteric Warfare"'s retro-modern mind machine layout, the band have always been progressively inclined where it concerns image, message, and style. For "Daemon", MAYHEM enlisted Italian designer Daniele Valeriani (LUCIFER'S CHILD, DARK FUNERAL) to understand, conceive, and deliver the cover art.
"I think this album will be most pleasing for old and new fans," says Teloch. "As most of our devoted fans know, MAYHEM has never released two albums that sound the same. That's the case this time around as well. As I said, we simplified stuff, but at the same time tried out some new stuff to keep it interesting for ourselves and, also for our fans that dig that we are doing something new on each album."