A demo version of JUDAS PRIEST's cover version of the song "You Are Everything" by THE STYLISTICS, recorded nearly three decades ago as a collaboration with S/A/W, the English songwriting and record producing trio consisting of Mike Stock, Matt Aitken and Pete Waterman, well known for their U.K. pop hits with BANANARAMA, Rick Astley and Kylie Minogue, has surfaced on YouTube and can be streamed below.
At the start of 1988, JUDAS PRIEST and S/A/W spent four days in a studio in Paris, France and recorded three tracks, "You Are Everything" and two songs penned by S/A/W ("Runaround" and "I Will Return").
Regarding PRIEST's cover of "You Are Everything", the band's guitarist Glenn Tipton told Guitar magazine in a 1989 interview: "I don't know whether it will ever be released. I can tell you I'm pretty sure it will never be on a JUDAS PRIEST album."
Fellow PRIEST axeman K.K. Downing told Guitar about the group's collaboration with S/A/W: "Stock, Aitken and Waterman are very popular producers in England, producing quite a lot of hit songs by people like Rick Astley and BANANARAMA. We did a little work with them for experimental reasons. It was great to work with them because they are very professional and very good producers.'
He continued: "Everybody is very naive and think that just because they produce these pop hit artists that's all they can do. In actual fact, they can do a lot more that than."
Downing went on to say: "We had a bit of spare time and cash and we got together and had many long hours of table tennis. And we did a couple of songs. We [also] did 'Johnny B Goode'. We were asked to possibly do 'Reckless' for the original 'Top Gun', which we missed out on because we didn't want to take anything off the 'Turbo' album. We thought this would be a good opportunity to go in and do some stuff for future movies. It was purely experimental and fun."
Singer Rob Halford told the New York Post that he'd "love to release [the songs], but there's a different consensus within the band. Our rendition of 'You Are Everything' is just beautiful. It's an '80s megarock ballad, with big drums, big vocals, sweeping strings. People are a lot more open-minded now, whereas in those days it could have created a bit of push-back, maybe even some damage to our reputation."
"We signed a piece of paper that says when we're all dead, they can release them," Halford joked to The Aquarian. "I personally love those songs. They're fucking great. We've never been afraid to try everything. Sometimes it works, and sometimes it doesn't. And the exercise of those songs totally worked, but they were completely wrong for us, if that makes sense. In the manner of the adventure of going to Paris for three days. … I'm totally responsible for that because I just said to Glenn one day, 'What you think about this deal?' 'Let's do it.' We never shut each other down. Even the most ridiculous things sometimes are ridiculous, but you don't know until you carry the exercise. That's what we did. We went over there and had a blast."
Tipton told Super Channel 88 in 1988: "We went in [with Stock, Aitken and Waterman], we did four days in Paris, we got four days in between Christmas and going back into the studio. It was a mutual thing, an experiment to just see what would come of it. We weren't chasing hit singles; we'd actually finished our album anyway and we had only got mixes left to do."
He continued: "I think what a lot of people don't realize about them is there's far more to them than 'hit' producers. I mean, Mike Stock's a great guitar player and we work really well together.
"The tracks we came up with were very interesting. I don't suppose they'll ever be on a JUDAS PRIEST album, but we've been approached a lot recently to do film soundtracks and things, so maybe they'll be used for that. Who knows? But were really pleased with them. We've never been scared to experiment, so..."
Tipton added: "What I think people thought, you know, it was bizarre because we were surprised at the sudden, almost like a backlash. People thought it was going to be like 'JUDAS BANANARAMA PRIEST' or something, God forbid we should ever do that — we wouldn't compromise the band in anything of that nature. But as it's turned out, we've got a fantastic heavy ballad and we've got two real good rock tracks; but we've got too much material for 'Ram It Down'..."
Halford added in a 1988 interview with Tele 5 Hard 'N' Heavy: "[The tracks are] mixed and they're hidden away in a vault in our office in London, and some day, at some point, people will hear them — it's just getting the timing right. We didn't put them on 'Ram It Down', because we had all the material already written anyway, so there wasn't any real need to include them, but I think a lot of people were worried you know. They think, 'Oh god, JUDAS PRIEST is going to sound like Rick Astley or BANANARAMA!' and we go, 'No! No! No! It's not going to be like that!'
"We would never jeopardize our career. We know what JUDAS PRIEST means to ourselves and we know what JUDAS PRIEST means to the fans around the world, so we'd never compromise ourselves — we'd never do anything less than what people expect from us. So they're three very powerful songs, you know, so maybe you'll hear them in 1990 or the year 2000, I don't know. We would like people to hear them, because I think people are very curious about what's happening and we had a fantastic time with them..."