IN FLAMES Guitarist Says Making 'I, The Mask' Album Was 'A Great Experience'

IN FLAMES Guitarist Says Making 'I, The Mask' Album Was 'A Great Experience'

Oran O'Beirne of Ireland's Overdrive recently conducted an interview with guitarist Björn Gelotte of Swedish metallers IN FLAMES. A couple of excerpts from the chat follow below.

Overdrive: ["I, The Mask"] is, of course, the band's 13th studio album and once again the sound continues to evolve. With the shackles of restrained creativity now well and truly off, do you find that the writing process is a more cathartic process to, say, what it was like back when you were writing albums such as "Colony" (1999) and "A Sense Of Purpose" (2008)?

Björn: "It's a very big difference nowadays. With this album, it was me and Anders [Fridén, vocals] working super-close together in a little studio that we set up in L.A., working on every detail together, including the vocal lines and melodies to the guitar riffs, arrangements and everything in between. That's something that we hadn't done before. In the very beginning, it was more like, someone would have a riff and then we would all get together and jam it out in rehearsals and then we would start to build ideas on top of that and the very last thing we would ever do after we had recorded everything, is around four days of vocals. That system worked for us back then because we didn't know anything else, but we missed out on so much, so many good ideas that could have come from lyrical context, or a lyric vocal melody, so this time we approached things differently and when I look back, it's undeniable how much we've learned along the way. Finally, we've found other ways of working. [Laughs]."

Overdrive: Was this the first time you had tried this writing method?

Björn: "We tried it a little with the last album, 'Battles'. We started working with Howard [Benson, producer], and he really helped us to open up with this approach to writing. We are very protective of what we do, so it was a little strange for us to begin with and we were very stuck in our ways thinking: 'The melodies should be this way, and the riffs should sound like this.' And it was the same with the vocals. Everything was really locked in tight and no room for change. The difference now is amazing. I get inspired by lyrics that Anders writes and we work off each other and this chemistry just happens. We've never done that in the past, and it's just so refreshing."

Overdrive: So, it was a no-brainer to work with Howard again based on your experience working with him on "Battles"?

Björn: "[Laughs] Yes, we had such a positive experience on the last record that we really felt comfortable to return to work with Howard and his team. They are all super efficient, which we find very inspiring and creative and because of that, we don't have to spend 18 hours in the studio every day and feel fucking wasted at the end of each day."

Overdrive: It sounds like things were much less hectic and more thought out/planned this time around?

Björn: "Yeah, we would work for about five, six hours a day in the studio and then another five to six hours at home to continue writing during the whole recording process, and that was just amazing. That's exactly why we feel really comfortable and confident about this record. We just had such a great experience doing this album and the transition from 'Battles' to 'I, The Mask' is so natural for us. I have to say the whole process really opened our eyes to many more possibilities going forward. Even though no management or labels have asked us to write another record, we feel that we just want to go back and work with these guys again as it was just such a positive experience where we really learned so much along the way. Normally for me, recording is a very tedious process that is time-consuming and at times very boring. For me, recording is just a means of getting on tour because it's all about touring and playing live. So, for me to want to go back to the studio was a really strange feeling. [Laughs]"

Read the entire interview at Overdrive.


To comment on a BLABBERMOUTH.NET story or review, you must be logged in to an active personal account on Facebook. Once you're logged in, you will be able to comment. User comments or postings do not reflect the viewpoint of BLABBERMOUTH.NET and BLABBERMOUTH.NET does not endorse, or guarantee the accuracy of, any user comment. To report spam or any abusive, obscene, defamatory, racist, homophobic or threatening comments, or anything that may violate any applicable laws, use the "Report to Facebook" and "Mark as spam" links that appear next to the comments themselves. To do so, click the downward arrow on the top-right corner of the Facebook comment (the arrow is invisible until you roll over it) and select the appropriate action. You can also send an e-mail to blabbermouthinbox(@) with pertinent details. BLABBERMOUTH.NET reserves the right to "hide" comments that may be considered offensive, illegal or inappropriate and to "ban" users that violate the site's Terms Of Service. Hidden comments will still appear to the user and to the user's Facebook friends. If a new comment is published from a "banned" user or contains a blacklisted word, this comment will automatically have limited visibility (the "banned" user's comments will only be visible to the user and the user's Facebook friends).