ALTAAR: New Album Teaser Available

January 9, 2013

Oslo, Norway's ALTAAR will release its new, self-titled album on February 26 in Europe (four days earlier in Germany and Austria) via Indie Recordings.

A teaser for the CD can be seen below.

ALTAAR is an exceptional outlet with an avant-garde approach to the musical expression by attacking conventional doom metal (CORRUPTED, BLACK SABBATH, NORTT) with references stemming from the classic psychedelic era (LES FLEUR DE LYS, CAPTAIN BEEFHEART, PINK FLOYD).

The journey began back in 2007. After the dissolution of JR EWING, Andreas Tylden (also known from ONE TAIL, ONE HEAD) established the solo-project ALTAAR. In the shadows of Vår Frelsers graveyard in Oslo, the cassette "Dødsønske" was recorded. The result was a brooding mixture of black metal, doom, noise, ambient and drone.

"I had the need to create music with a broad emotional register, to break from the conventions of earlier methods I used to employ," says Tylden.

Soon after, the art-academy graduate and noise-musician Sten Ove Toft (RYFYLKE, FAUX PAS) was initiated into the project and the second pressing of "Dødsønske" was released on Toft's label Roggbif. The international community started to take note, and both pressings sold out in a matter of days.

2009 saw the band once again adding new members to the fold in the shape of Espen T. Hangård (KILLL, NOPLACETOHIDE),Kenneth Lamond (JR EWING) and Didrik Telle (OBLITERATION). In the proceeding months, the quintet toured the U.S. and Europe, performed a commissioned piece at the Henie Onstad Art Museum. as well as showcased their music at respected festivals such as SXSW, Øya, Incubate and by:Larm. Due to the bands backgrounds in metal, punk/hardcore, noise and indie, ALTAAR's live shows became an almost ritualistic experience. With concerts played either in perpetual darkness, stages bathed in candlelight or illuminated by projections of handpicked films, the results drew the audience into a place where they had to acquiesce, or react. Which made the music all the more poignant and central.

Find more on
  • facebook
  • twitter
  • reddit
  • email

Comments Disclaimer And Information

BLABBERMOUTH.NET uses the Facebook Comments plugin to let people comment on content on the site using their Facebook account. The comments reside on Facebook servers and are not stored on BLABBERMOUTH.NET. To comment on a BLABBERMOUTH.NET story or review, you must be logged in to an active personal account on Facebook. Once you're logged in, you will be able to comment. User comments or postings do not reflect the viewpoint of BLABBERMOUTH.NET and BLABBERMOUTH.NET does not endorse, or guarantee the accuracy of, any user comment. To report spam or any abusive, obscene, defamatory, racist, homophobic or threatening comments, or anything that may violate any applicable laws, use the "Report to Facebook" and "Mark as spam" links that appear next to the comments themselves. To do so, click the downward arrow on the top-right corner of the Facebook comment (the arrow is invisible until you roll over it) and select the appropriate action. You can also send an e-mail to blabbermouthinbox(@)gmail.com with pertinent details. BLABBERMOUTH.NET reserves the right to "hide" comments that may be considered offensive, illegal or inappropriate and to "ban" users that violate the site's Terms Of Service. Hidden comments will still appear to the user and to the user's Facebook friends. If a new comment is published from a "banned" user or contains a blacklisted word, this comment will automatically have limited visibility (the "banned" user's comments will only be visible to the user and the user's Facebook friends).