"Heavy Rock Radio II – Executing The Classics"

(Frontiers Music)

01. Lonely Nights
02. Winning
03. New York Minute
04. Needles And Pins
05. Love
06. I Do Believe In You
07. Nightlife
08. Bad Attitude
09. Quinn The Eskimo (The Mighty Quinn)
10. Mystery
11. The Rhythm of the Heat

RATING: 6/10

There are numerous reasons why established artists resort to the ignoble art of the covers album: contractual obligations and desperation being the most obvious. Neither of those reasons seem relevant to this second volume of hallowed anthems from the always mighty Jorn Lande, though, and that's because Jorn has such a ridiculously great voice that only the terminally deranged could object to hearing him singing just about anything. Luckily, at least half of "Heavy Rock Radio II – Executing The Classics" rules.

The rest? Well, no one really needs a cover of BRYAN ADAMS's "Lonely Nights" or yet another version of THE NEW SEEKERS' "Needles And Pins" that is manifestly and unavoidably weaker than the RAMONES' take. Herein lies the main downside to Lande's endeavors: like it or not, this is an album he has made for himself and these are the songs he wanted to sing. With a big, punchy production and flawless ensemble performances underpinning everything, it sounds like everyone involved was having a fantastic time and even if the likes of FOREIGNER's "Night Life" and DON HENLEY's "New York Minute" gain nothing from being retooled for the Norwegian's purposes, you'd have to be a miserable swine to take issue with any of it.

Weirdly, the two finest moments here are saved until the end. JORN LANDE has covered DIO extensively in the past, for obvious and well-documented reasons, but his version of the underrated "Mystery", from 1984's "The Last In Line", is magnificent and honors the late, great RONNIE JAMES DIO in the best possible way: by highlighting that he was both a great singer and a formidable tunesmith.

Even better is Lande's interpretation of PETER GABRIEL's "The Rhythm of the Heat": converted here into a full-blown metal song, it's startling and exhilarating enough to make you forget about the album's more prosaic, karaoke-ish moments. And yes, even the album's less interesting moments are saved and made rather gorgeous by that perennially glorious voice. Not one for cynics or underground diehards, then, but solid, expertly executed fun for everyone else.


To comment on a BLABBERMOUTH.NET story or review, you must be logged in to an active personal account on Facebook. Once you're logged in, you will be able to comment. User comments or postings do not reflect the viewpoint of BLABBERMOUTH.NET and BLABBERMOUTH.NET does not endorse, or guarantee the accuracy of, any user comment. To report spam or any abusive, obscene, defamatory, racist, homophobic or threatening comments, or anything that may violate any applicable laws, use the "Report to Facebook" and "Mark as spam" links that appear next to the comments themselves. To do so, click the downward arrow on the top-right corner of the Facebook comment (the arrow is invisible until you roll over it) and select the appropriate action. You can also send an e-mail to blabbermouthinbox(@) with pertinent details. BLABBERMOUTH.NET reserves the right to "hide" comments that may be considered offensive, illegal or inappropriate and to "ban" users that violate the site's Terms Of Service. Hidden comments will still appear to the user and to the user's Facebook friends. If a new comment is published from a "banned" user or contains a blacklisted word, this comment will automatically have limited visibility (the "banned" user's comments will only be visible to the user and the user's Facebook friends).