"Blood Ceremony"

(Rise Above)

01. Master of Confusion
02. I'm Coming With You
03. Into the Coven
04. A Wine of Wizardry
05. The Rare Lord
06. Return to Forever
07. Hop Toad
08. Children of the Future
09. Hymn to Pan

RATING: 6.5/10

Have flute, will travel, and Toronto's BLOOD CEREMONY gets a lot of mileage out of the instrument on its self-titled debut album. A fascination with 70s occult rock — or "witch rock" in this case — that pays homage to acts like COVEN, AFFINITY, and BLACK WIDOW drives the vehicle, while the style clearly combines early BLACK SABBATH and JETHRO TULL.

Riding the nostalgia wave for vintage sounds, led in many respects by WITCHCRAFT, BLOOD CEREMONY has carved a niche for itself, mainly because of the female pipes and flute work of Alia O'Brien. Her delivery is smooth and indeed witchy. The music is mostly in the slow (but not crawling) to mid-tempo range with the occasional up-tempo SABBATH shift with those circular ascending/descending riff patterns (e.g. "The Rare Lord" and "Return to Forever") and mixed with spooky organ and those dancing flute lines. Billy Anderson's mix offers a nice instrument separation, making the sound even more '70s-like. The free jam quality heard often in music of this type is present, but not boundless or meandering, meaning that the "jam" is always done in service to the song.
Those exclusively into this style of doom/stoner/psychelelic/'70s-style rock will find a lot to like on BLOOD CEREMONY's first shot across the bow. Those with a passing interest or looking for a change of pace should enjoy it too, though maybe not find it anything to rave about. The only problem to my ears is that the style begins to wear thing after you've heard the first few songs, as the album settles into a groove from which it never really veers. Maybe I should have lit candles and incense. The point should not be taken as a damning one though, as the music heard offers a certain freshness, even with its familiar sounds, and several righteously rockin' moments that will ring more than a few bells. Decent.


To comment on a BLABBERMOUTH.NET story or review, you must be logged in to an active personal account on Facebook. Once you're logged in, you will be able to comment. User comments or postings do not reflect the viewpoint of BLABBERMOUTH.NET and BLABBERMOUTH.NET does not endorse, or guarantee the accuracy of, any user comment. To report spam or any abusive, obscene, defamatory, racist, homophobic or threatening comments, or anything that may violate any applicable laws, use the "Report to Facebook" and "Mark as spam" links that appear next to the comments themselves. To do so, click the downward arrow on the top-right corner of the Facebook comment (the arrow is invisible until you roll over it) and select the appropriate action. You can also send an e-mail to blabbermouthinbox(@) with pertinent details. BLABBERMOUTH.NET reserves the right to "hide" comments that may be considered offensive, illegal or inappropriate and to "ban" users that violate the site's Terms Of Service. Hidden comments will still appear to the user and to the user's Facebook friends. If a new comment is published from a "banned" user or contains a blacklisted word, this comment will automatically have limited visibility (the "banned" user's comments will only be visible to the user and the user's Facebook friends).