UNLOCKING THE TRUTH Releases 'Take Control' Video

April 27, 2016

"Take Control", the new video from UNLOCKING THE TRUTH — the heavy metal band from Flatbush, Brooklyn made up of three African-American boys, guitarist/vocalist Malcolm Brickhouse, bassist Alec Atkins and drummer Jarad Dawkins — can be seen below.

Taken from UNLOCKING THE TRUTH's forthcoming debut full-length album, "Chaos", "Take Control" is a rally cry against bullying. The song is inspired by personal experience, as Jarad explains: "I remember when I used to be bullied in school for the music that I love to play, the jeans that I love to wear. I always told myself that everything is going to be alright. You are going to take control of the world one day."

"Take Control" will be available as an instant grat track with the pre-order purchase of "Chaos".

"Chaos" will be released on June 17 via premier independent music distributor Tunecore. The set was produced by Johnny K (MEGADETH, POP EVIL, DISTURBED) and captures the young band's explosive live energy, resulting in a tight, powerfully heavy yet melodic full-length offering.

Of "Chaos", Brickhouse commented: "We can't wait for everyone to hear our album. We've worked very hard to give the fans something they'll love and never forget. We hope they are able to relate to the songs the way that we do and have the time of their lives listening to them. We know that this album will blow you guys away."

In other news, UNLOCKING THE TRUTH will be the subject of the forthcoming documentary, "Breaking A Monster". An exclusive feature-film account of the band's experience with the major record industry, it will be released this summer. SeeThink Films, the collaborative behind the release effort, has launched a Kickstarter campaign this month in support of an even wider theatrical presence.

"Chaos" track listing:

01. Chaos
02. Monster
03. A Tide
04. Help Me
05. Other Side
06. Numbing
07. Made Of Stone
08. Ravens
09. Escape
10. FAYWB
11. Take Control

UNLOCKING THE TRUTH last year spoke to The Daily Beast about their decision to sever ties with Sony, less than a year after signing with the major label.

"It was pretty difficult at times with [our] meetings [with Sony] — especially with this one particular lady at the label, who had a meeting with us once where she was just talking at us for six hours," Alec said. "We were pretty young at the time so we were pretty restless and wanted to get up and do something else, but she just had us in this meeting for six hours."

As part of its guaranteed two-album deal with Sony, UNLOCKING THE TRUTH was reportedly due to receive $60,000 to record the first disc and possibly as much as $325,000 for the second CD. Sony reportedly had an option to release a total of five albums from UNLOCKING THE TRUTH that could have pushed the label's financial investment to around $1.8 million ($325,000 for the second album, $400,000 for the third, $450,000 for the fourth and $550,000 for the fifth). It should be noted, however, that the band was only supposed to see the real money after an initial $60,000 advance if their debut album sold more than 250,000 copies, a prospect that seemed highly unlikely in an age of diminishing record sales.

Luke Meyer, the director of "Breaking A Monster", told The Daily Beast: "The $1.8 million is what happens if you add up all their advances for five records, and it increases in amount with each successive album.

"That's what everyone says about the music industry — it's got all this glitter on it, but it's always less flashy than it looks."

The members of UNLOCKING THE TRUTH famously got permission from a New York judge in July 2014 to sign the Sony deal. The musicians needed the judge's approval because they were minors.

UNLOCKING THE TRUTH has already played the Coachella festival and has supported GUNS N' ROSES. In addition, the band has appeared in a national ad campaign for Verizon Wireless.

UNLOCKING THE TRUTH credits bands such as METALLICA, SLIPKNOT, DISTURBED, CHELSEA GRIN, MOTIONLESS IN WHITE and ESCAPE THE FATE as its influences.

Photo credit: Clay Patrick McBride

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