SCAR THE MARTYR, the new band led by SLIPKNOT drummer Joey Jordison, will film its first-ever music video today (Wednesday, September 4) in Calabasas, California.
If you would like to appear in the clip as a featured extra, fill out the form at this location.
The self-titled debut album from SCAR THE MARTYR will be released on October 1 via Roadrunner Records. Recorded at Sound Farm Studios in Des Moines, Iowa, the CD CD was helmed by Rhys Fulber, whose production and mixing credits include FEAR FACTORY, ROB ZOMBIE, MINDLESS SELF INDULGENCE, FRONT LINE ASSEMBLY and more. The album was written by Joey and lead vocalist Henry Derek Bonner (BLOOD PROMISE), and joining them in the studio were keyboardist Chris Vrenna (NINE INCH NAILS), as well as Simon and Norris, who collectively handled all lead guitars on the album.
"Scar The Martyr" track listing:
02. Blood Host
03. My Retribution
04. Soul Disintegration
05. Cruel Ocean
06. Dark Ages
07. Sign Of The Omeneye
08. Anatomy Of Erinyes
09. Prayer For Prey
10. White Nights In A Day Room
11. Effigy Unborn
12. Never Forgive Never Forget
13. Mind’s Eye
14. Last Night On Earth
01. Flatline & Fracture
02. Digging For Truth
03. Coat Of Arms
"Blood Host" can be streamed using the SoundCloud widget below.
SCAR THE MARTYR has just completed a North American tour as the support act for DANZIG. The trek kicked off August 9 at Sound Academy in Toronto, Ontario, Canada and wrapped on August 31 at Tempe, Arizona's Marquee Theatre.
In addition to Jordison, SCAR THE MARTYR's lineup for the tour features singer Henry Derek Bonner (BLOOD PROMISE), guitarists Jed Simon (STRAPPING YOUNG LAD) and Kris Norris (DARKEST HOUR), keyboardist Joey Blush and bassist Kyle Konkiel (IN THIS MOMENT).
"With this project, I focused my efforts on writing for the better of the song," says Jordison. "I wasn't worried about flash or persona... It's all about writing a good solid song. I'm writing music that people can grasp and hold on to...something that resonates. If you don't have that, then you have nothing."
"I'd been working on new SLIPKNOT material since the end of the 'All Hope Is Gone' tour cycle, but I ended up with so much stuff I had to take a step back and stop working on it," he explained to Metal Hammer magazine. "The time wasn't right. But I came up with a bunch of material that was really killer and heavy and started taking some of it in a different direction. I started focusing on a lot of the post-punk and industrial stuff that I've always loved and started putting super heavy and brutal guitars over the top of it. That's how it started. It's taken me a couple of years to get to this point, but I can honestly say this is the most satisfied I've ever been in the studio. I can't wait for everyone to hear this shit."