NAPALM DEATH Begins Tracking Guitars For New Album

NAPALM DEATH Begins Tracking Guitars For New Album

British/American grindcore pioneers NAPALM DEATH have begun tracking guitars for their follow-up to 2012's "Utilitarian" at Parlour Studios in Kettering, England with producer Russ Russell. An early 2015 release via Century Media Records is expected.

The band performed a brand new song, "Dear Slum Landlord", on April 10 at the Roadburn festival in Tilburg, The Netherlands.

"Utilitarian" sold around 2,200 copies in the United States in its first week of release, according to Nielsen SoundScan. The CD debuted at No. 14 on the Top New Artist Albums (Heatseekers) chart, which lists the best-selling albums by new and developing artists, defined as those who have never appeared in the Top 100 of The Billboard 200.

NAPALM DEATH's previous album, 2009's "Time Waits For No Slave", opened with around 1,800 units to land at No. 19 on the Heatseekers chart.

"Utilitarian" was released on February 27, 2012 in Europe and February 28, 2012 in North America via the band's longtime partner, Century Media Records.

Asked in a recent interview with MetalPR.com about what it's been like to work with various different record labels over the years, NAPALM DEATH vocalist Mark "Barney" Greenway said: "You've gotta remember, with NAPALM, it was always on our own terms. Because the problem is, bands… Sometimes if you're a newer band, they go, perhaps, into an arrangement with a label thinking that, 'Oh, we can't upset things, because we're only a new band and they'll just disown us.' But if you can't be happy knowing that you're doing what was your creative plan to do, then there's surely something wrong with that; there has to be. So at any stage, NAPALM was always, like, with the labels, if we felt something was fundamentally wrong, we would say, 'No. It's not happening. We're not doing it. Forget it. It's not gonna happen.' So we always maintained that and we've always set that precedent. Every time we've walked into a record label, we've always said, 'Look, we know what we're doing, and we know how we need to do things. Sure, you've got your things that you need to do, but creatively and stuff, we know best. And that's what we're gonna do. And if there's anything that's ethically not right, or doesn't feel right, then we just won't do it.' And we don't do it in a threatening way; it just becomes a common understanding. And it works for us. But bands have gotta realize that… If I was in a new band, I would rather be in a band and be cut away from a record label than having to be in a situation where I wasn't happy with how they were putting the band forward, if they tried to interfere with the sound of the band. It's not worth it. It's not worth being unhappy in your situation. You may as well cut loose and start again."

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