Available now for the very first time, "Chris Farlowe And The Thunderbirds: The Beginning…" presents a 12-song demo recording produced by legendary guitarist and producer Jimmy Page (pictured). Recorded in 1961 at RG Jones Sound Studio in Morden, London, this historic session marks the launch of a highly successful career for Chris Farlowe. It was also the very first official turn in the producer's chair for Jimmy Page who went on to capture the timeless studio and live performances of LED ZEPPELIN that today serve as a blueprint for all modern rock recordings that followed in their formidable wake.For both, it all started with "The Beginning…" These revelatory performances, available for pre-order now and scheduled for exclusive worldwide distribution via JimmyPage.com on April 30, brilliantly capture the spirit of adventure and excitement of the London music scene in the early 1960s. In his liner notes accompanying "The Beginning…", Farlowe summarized his first encounter with Page and the session by stating: "We would play anywhere just for the buzz and it was at one of these gigs that we met a very young boy called Jimmy Page, who liked my band and my guitarist Bobby Taylor. Jimmy suggested that he wanted to record a demo album of the band, so he booked the RG Jones studio in Morden, London, and now after 56 years, it is to see the light of day." And what a musical storm they conjured! As Page points out in his liner notes for the album, you'd never know that Farlowe and his band mates were in a recording studio for the first time. "The band settled into their recording role immediately and an album was recorded that day," he wrote. "The guitar and bass were recorded by direct injection and the band listened to their progress via headphones…They adapted really quickly to this method, the individual performance exhibits the style and class that this band had and Chris Farlowe's performance is absolutely extraordinary." The band's tightness and musical telepathy is apparent from the get-go with two hard driving instrumentals to kick off the recording. The opening track, "Entry Of The Slaves", features Bobby Taylor on guitar who is described by Page in the liner notes as, "the coolest stylist, both in his image and his playing, that I had seen in a guitarist who was in an unsigned band." The incendiary "Spring Is Near" follows and showcases the rhythm section's individual and collective talents with both Johnny Warne on bass and Johnny Wise on drums contributing thrilling solos. On track three, Farlowe steps up to the mic and tears into a powerful version of the Ray Charles classic "What'd I Say". Next up are spirited versions of the rock and roll classics "Let The Good Times Roll", "Sticks And Stones", "Kansas City" and "I'm Moving On". Each track is powered along by Wise and Warne, and feature cracking guitar solos from Taylor. The volume and tempo comes down, but the intensity remains high on the soulful ballad "Just A Dream", which features an emotional and heartwrenching vocal turn from Farlowe. On this track, THE THUNDERBIRDS provide brilliant dynamics and atmosphere to set the perfect mood behind Farlowe's vocal. From here, the recording shifts gears again with "Money" driven along by a rumbling beat on the tom-toms from Wise and more gorgeous guitar work from Taylor. Farlowe's howling vocal breathes new life and fire into this timeless rock and roll standard. On "Matchbox", THE THUNDERBIRDS lay down a powerful and respectful homage to the great Carl Perkins classic with a groove that chugs along like a freight train barreling down the track, with every strum, pluck and beat brilliantly captured by Page on tape. Next up, Farlowe and THE THUNDERBIRDS make Don Gibson's "Hurtin' Inside" their own with Taylor's fiery licks and Wise's snare drum work perfectly complimenting Farlowe's soulful delivery and his incredible range. A spirited version of Bobby Parker's "Watch Your Step" closes out the proceedings with Farlowe deftly pushing the band along, climbing up his range effortlessly into falsetto and ad-libbing brilliantly into the fadeout. Page's complete satisfaction with what he was able to capture on tape that day is abundantly clear. "I'm really pleased to be able to make this musical document available for the first time to give an idea of the musical cauldron that was going on in London in 1961, a few years before the Chicago Blues renaissance and THE BEATLES," he said. These recordings on "The Beginning…" marked the first collaboration between Page and Farlowe who went on to work together when Page was a session musician and Farlowe was on Immediate Records. Page featured on the hit single "Out Of Time". In 1982, Farlowe featured on Page's "Death Wish II" soundtrack, and again when Farlowe made a guest appearance on Page's 1988 solo album "Outrider". "Chris Farlowe & The Thunderbirds: The Beginning" is now available for pre-order at JimmyPage.com in advance of its April 30 release date. The release is available in two editions: Standard and Deluxe. The 1-LP, 1-CD set is available signed and numbered by Chris Farlowe and Jimmy Page in a limited-edition release bringing the signatures of two music legends together for the very first time.
To comment on a BLABBERMOUTH.NET story or review, you must be logged in to an active personal account on Facebook. Once you're logged in, you will be able to comment. User comments or postings do not reflect the viewpoint of BLABBERMOUTH.NET and BLABBERMOUTH.NET does not endorse, or guarantee the accuracy of, any user comment. To report spam or any abusive, obscene, defamatory, racist, homophobic or threatening comments, or anything that may violate any applicable laws, use the "Report to Facebook" and "Mark as spam" links that appear next to the comments themselves. To do so, click the downward arrow on the top-right corner of the Facebook comment (the arrow is invisible until you roll over it) and select the appropriate action. You can also send an e-mail to blabbermouthinbox(@)gmail.com with pertinent details. BLABBERMOUTH.NET reserves the right to "hide" comments that may be considered offensive, illegal or inappropriate and to "ban" users that violate the site's Terms Of Service. Hidden comments will still appear to the user and to the user's Facebook friends. If a new comment is published from a "banned" user or contains a blacklisted word, this comment will automatically have limited visibility (the "banned" user's comments will only be visible to the user and the user's Facebook friends).