ALTAAR: Second Album Teaser Available

Oslo, Norway's ALTAAR will release its new, self-titled album on February 26 in Europe (four days earlier in Germany and Austria) via Indie Recordings.

The second teaser for the CD can be seen below.

ALTAAR is an exceptional outlet with an avant-garde approach to the musical expression by attacking conventional doom metal (CORRUPTED, BLACK SABBATH, NORTT) with references stemming from the classic psychedelic era (LES FLEUR DE LYS, CAPTAIN BEEFHEART, PINK FLOYD).

The journey began back in 2007. After the dissolution of JR EWING, Andreas Tylden (also known from ONE TAIL, ONE HEAD) established the solo-project ALTAAR. In the shadows of Vår Frelsers graveyard in Oslo, the cassette "Dødsønske" was recorded. The result was a brooding mixture of black metal, doom, noise, ambient and drone.

"I had the need to create music with a broad emotional register, to break from the conventions of earlier methods I used to employ," says Tylden.

Soon after, the art-academy graduate and noise-musician Sten Ove Toft (RYFYLKE, FAUX PAS) was initiated into the project and the second pressing of "Dødsønske" was released on Toft's label Roggbif. The international community started to take note, and both pressings sold out in a matter of days.

2009 saw the band once again adding new members to the fold in the shape of Espen T. Hangård (KILLL, NOPLACETOHIDE), Kenneth Lamond (JR EWING) and Didrik Telle (OBLITERATION). In the proceeding months, the quintet toured the U.S. and Europe, performed a commissioned piece at the Henie Onstad Art Museum. as well as showcased their music at respected festivals such as SXSW, Øya, Incubate and by:Larm. Due to the bands backgrounds in metal, punk/hardcore, noise and indie, ALTAAR's live shows became an almost ritualistic experience. With concerts played either in perpetual darkness, stages bathed in candlelight or illuminated by projections of handpicked films, the results drew the audience into a place where they had to acquiesce, or react. Which made the music all the more poignant and central.

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