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Last Updated: June 17, 2013 10:35 PM




ROB ZOMBIE: 'All The Classic Bands That Have Been Around Forever, They Came Up Gradually' - July 18, 2012
Kenny Herzog of Spin.com recently conducted an interview with Rob Zombie. A couple of excerpts from the chat follow below.

On listening to opinions of other people:

Rob: "When you have too many people and you're trying to satisfy everybody's input, you usually end up with something so incredibly generic that it has no point of view. There are different times where I've finished a record and I go, 'This is the single,' and I play it for somebody and they go, 'That's the worst song on the record.' And I'll go, 'What? It's a single,' and we'll launch it, and it's a hit. If I made the right decision, at least I know it's my decision. If I made the wrong decision, at least it's my decision. I always get annoyed when I see bands sometimes crying about 'Oh, well, the label wanted us to do that and someone told us to do that,' like they're the total victims of circumstances. I'm like, 'Hey, fuckhead, you could have said no.'"

On being an overnight success:

Rob: "By the time WHITE ZOMBIE got to the stage where we were playing arenas, we were ready for it because we had played so many shows and done so many tours and had played hundred-seat clubs, to 200-seaters, 300, 400. As a band, we built up to it. But I see that with a lot of new bands, they get success fast and you see 'em on a big stage, and they look lost, like, 'Holy shit, what am I doing up here?' They haven't had the chance to develop the skills to work that type of crowd or room, and what happens is they're terrible, and then usually they fail because people will see them and go, 'They're terrible.' All the classic bands that have been around forever, they came up gradually."

On how getting signed to a label does not automatically make you a rock star:

Rob: "I remember back when WHITE ZOMBIE got signed to Geffen, that's when all the bands were getting signed to Geffen Records. There was this one mistake that a lot of bands made, and they still make it: You're still some unknown band nobody gives two shits about. You just happened to be signed to a label. These bands suddenly copped an attitude, and suddenly they were egotistical and annoying, and they thought they were big shots, but they're still nobody. I remember walking into Geffen Records on the first day, when our record wasn't even out yet, and looking at everybody working in the office and thinking, 'Nobody in this office cares if I become a millionaire rock star. This isn't something that's keeping them awake at night.' So you have to go in there, be nice to people, and hopefully they'll become your friends and you'll all work hard and it will happen. But I think bands that rolled in with a big attitude, like they were some big deal, I just found that very strange."

Read the entire interview from Spin.com.

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COMMENT | #
posted by : conviction
7/18/2012 3:10:21 PM
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he's right too ...


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COMMENT | #
posted by : Hipster Trash
7/18/2012 3:18:55 PM
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That whole article is very informative. Rob Zombie might not be capable of making music that I like anymore, but he appears to know what's up.


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COMMENT | Cool Interview
posted by : ChopShop777
7/18/2012 3:59:21 PM
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Rob is brilliant always a pleasure to hear him talk and perform. cheers

www.myspace.com/guitarmessiah7


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COMMENT | #
posted by : noone69
7/18/2012 4:09:27 PM
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He's right. With age & experience comes wisdom.


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COMMENT | #
posted by : Evil_Twin
7/18/2012 4:23:20 PM
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On listening to opinions of other people:

Rob: "When you have too many people and you're trying to satisfy everybody's input, you usually end up with something so incredibly generic that it has no point of view. There are different times where I've finished a record and I go, 'This is the single,' and I play it for somebody and they go, 'That's the worst song on the record.' And I'll go, 'What? It's a single,' and we'll launch it, and it's a hit. If I made the right decision, at least I know it's my decision. If I made the wrong decision, at least it's my decision. I always get annoyed when I see bands sometimes crying about 'Oh, well, the label wanted us to do that and someone told us to do that,' like they're the total victims of circumstances. I'm like, 'Hey, fuckhead, you could have said no.'"

No shit! Those bullshit excuses about what they were expected to do are so fucking annoying! *cough* Dave Mustaine *cough cough*


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COMMENT | #
posted by : Nefty175
7/18/2012 4:24:21 PM
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He's definitely a better interview than he is a vocalist.



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COMMENT | YEAH !
posted by : reivaj667
7/18/2012 4:47:54 PM
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Rob you are right, White Zombie was around some years before going to a major label and then the band break up ;)


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COMMENT | Unlike you...
posted by : rupert pupkin
7/18/2012 5:41:24 PM
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...you came up bad, and you continued to be bad!

Please take Marilyn Manson and go away...forever.


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COMMENT | reivaj667
posted by : Doros78
7/18/2012 5:44:42 PM
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yea and then he just started a solo career and got even bigger.


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COMMENT | I love picking on this fucker...
posted by : Green Machinist
7/18/2012 6:01:40 PM
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...but not today.
Hes 100% on the money.


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COMMENT | Working hard pays...
posted by : Green Machinist
7/18/2012 6:03:04 PM
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...always.


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COMMENT | #
posted by : RiotAct666
7/18/2012 8:11:36 PM
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Rob is right on all accounts.


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COMMENT | Right about everything but the singles
posted by : dioforever
7/18/2012 11:03:59 PM
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Depending on the contract that a band signs, sometimes they have no input into singles. The labels have and most likely use the threat of "shelving" the album. If the album is "shelved" the band is still on the hook for all the costs the label bills. Or in some cases they will pull the producer, put a person of interest in the studio to oversee the effort.

It was really bad in the late 80s. Most bands were forced to do the formula of "ballad" then rocking song then "ballad". Every album had to have a "ballad" for air play. Musicians are not attorneys or businessmen, they are just thrilled to get a contract. Even today man deals include language that covers "damage/defective produced products" or "theft in transit". They have no idea that it ties back to LPs. Depending on the contract 10% of all produced albums would be classified as damaged/defective due to the process of storing and producing LPs. This 10% comes out of the bands part of sales, not the labels. Then there is a cut taken out for "theft", which comes out of the bands profits. With todays downloading this is not realistic, but it is still there. With CDs and even tapes damaged/defective was not really a concern.

It is true that some bands soon as they got signed thought they were Led Zep, Beattles, or BS. They had no idea that the staff of the labels really didn't really care for them. If they came in and acted like ass, people would "lose" their stuff, delay, or even submarine their efforts. One band learned that the hard way on Ozzy's tour when they were supposed to take over the opening slot for Motley Crue. That didnt happen, then they were supposed to open for Motley Crue headlining tour starting in Dayton, Ohio. That did not happen, it went to Saxon.

Kids always be nice, even if you hate them. You never know the person you piss off will do to get even.


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COMMENT | #
posted by : Thedevilmademedoit71
7/18/2012 11:05:25 PM
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Fuck off Zombie
You're a hack
Whoever funds this mans films needs to be shot
Can you even spell auteur Rob?
Nah didn't think so


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COMMENT | That, and the classic bands were given time to grow within a few records.
posted by : sherdian518
7/19/2012 8:24:05 AM
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Record label heads back in the day were so much more laid back and artist-oriented. They'd allow you to grow by giving you a few records to develop your sound. Once the pro-artist label heads were phased out for more bottom-line-oriented label heads around the '80's, everything changed.

Rob's right and spot on about growing as a live act and having experience handling all of that. Cool article.


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