Brooklyn's TOMBS is one of the best American black metal outfits alongside AGALLOCH and WOLVES IN THE THRONE ROOM. Onstage these guys command vast space, even on tiny platforms. The main reason for the band's commanding performance being Mike Hill and company's daringness to try just about anything inside their music short of pop or country. Now matching their EP count to their LPs, TOMBS releases the explorative "All Empires Fall", the band's first to feature keyboardist/backing vocalist Fade Kaidner.What TOMBS covers in 24 minutes is, as always, impressive. Black metal being its primer, expect to take some wild and sometimes spooky turns. Opening with a creepy synth and coldwave intro to "The World is Made of Fire", TOMBS plants the pedals and asserts a mid-tempo march in front of Fade Kainer's swirling keys, which float and scrape throughout the instrumental. They hit a beauteous apex before TOMBS plummets down the steep black metal channels of "Obsidian". Mike Hill's esophagus must truly hate him by now as he strains his voice with hollers of such severity they're the audile semblance of pain. Charlie Schmid ravages his clumpy but undeniably powerful grind rhythms, hitting a breathtaking double hammer prior to the song's finale. Ben Brand glues his bass upon Schmid with quaking reverb to the point that "Obsidian" feels more than sounds like something's about to open up and swallow everything. Borrowing from MELECHESH on the cryptic "Last Days of Sunlight", TOMBS conveys a figurative ossuary emittance within its hollow gloom, Goth chants and synthetic Sumerian resonances. Ben Brand and Charlie Schmid lay out a bass-barbed intro to the ENTOMBED-esque "Deciever", that leads into an unexpectedly catchy and whumping rock groove. Even with the liquidly ralphing and somber female chanting during the bridge, "Deceiver" is a huge grabber. TOMBS may not lay out all of their cards on the track, but it's a head-bobbing tail-kicker. Another foray through a tundra of coldwave during the beginning of "V", whisking the listener into a lurching trek as Mike Hill shows off a faint impression of Peter Murphy. "V" thus becomes an impressive collision between black metal and alternative, BURZUM effortlessly meeting BAUHAUS, with guitars that snarl as much as they toll and grooves that pummel as much as bobble dreamily. As one of the highest-praised acts in the metal underground, TOMBS once again delivers a provocative and brutal listening experience. "All Empires Fall" rages when it needs to, but never fails to peek inside the embers for subtleties brought to life by Fade Kaidner. Whatever comes next in LP form is going to be very special.
To comment on a BLABBERMOUTH.NET story or review, you must be logged in to an active personal account on Facebook. Once you're logged in, you will be able to comment. User comments or postings do not reflect the viewpoint of BLABBERMOUTH.NET and BLABBERMOUTH.NET does not endorse, or guarantee the accuracy of, any user comment. To report spam or any abusive, obscene, defamatory, racist, homophobic or threatening comments, or anything that may violate any applicable laws, use the "Report to Facebook" and "Mark as spam" links that appears next to the comments themselves. To do so, click the downward arrow on the top-right corner of the Facebook comment (the arrow is invisible until you roll over it) and select the appropriate action. You can also send an e-mail to blabbermouthinbox(@)gmail.com with pertinent details. BLABBERMOUTH.NET reserves the right to "hide" comments that may be considered offensive, illegal or inappropriate and to "ban" users that violate the site's Terms Of Service. Hidden comments will still appear to the user and to the user's Facebook friends. If a new comment is published from a "banned" user or contains a blacklisted word, this comment will automatically have limited visibility (the "banned" user's comments will only be visible to the user and the user's Facebook friends).