He's been mocked to within an inch of his dignity down the years, but one thing that King Diamond has is presence — loads of it, from his window-shattering, off-the-scale vocals, to that fucking big crucifix of bones that seems to travel everywhere with him. What's more, for as many as there that scoff at him, there are equally as many who regard him as a living legend.And oh how MERCYFUL FATE man Hank Shermann and former MF guitar partner Michael Denner could do with a dose of the Diamond factor now as they shamble ahead with this band and self-titled album, their new full-time concern while King decides what he wants to do next. The man-who-would-be-king, so to speak, in the FOE ranks is Martin Steene (formerly vocalist with Danish metallers IRONFIRE), and quite frankly he's not up to the task as his characterless voice flat-lines across the tracks with very little in the way of atmospheric shifts. But it's not as if he's the only glaring aberration here. Where once an earful of the twin Denner/Shermann axe attack could floor you with its darkly melodic brilliance, now you're left to listen carefully so you don't miss the good bits — the weeping Eastern-style harmonies towards the end of "Eye Of The Storm", the stylishly spiteful sprawl of riffing in "Samhain" that evokes memories of the "Melissa" era, the baroque bluster of "Under The Blade" somewhere around its mid-point. To reiterate, we're not talking about the merits of entire songs here, but literally a passage that might stretch out for a minute at the most. Yes, large portions of "FOE" do bear the stylistic hallmarks of the FATE, but there are great swathes of below par dross here within that remit. As much as it's this reviewer's policy not to dismiss music as dated just because it might be rooted in the traditions of the past, "Force Of Evil" does a really good job of sounding old and tired. There are two reasons for this. Firstly, the production does not have to be this flat and meek in the name of clarity, or for whatever reason. Punchy? The mix on "Force of Evil" barely possesses the power to tickle. And secondly, many of the songs are just too generic and bland, surely, to be associated with the hands of Denner and Hermann. Take plain old power-thrashers "Hell On Earth" and "Mindbreaker" as perfect examples. That they actually open the album is probably not the best creative decision these guys have ever made. Nevertheless, Shermann has clearly indicted that if and when King calls to do another FATE album, the frontman will have to work around the guitarist's schedule. Given the gulf in quality between the two bands, he may wish to have a re-think.
To comment on a BLABBERMOUTH.NET story or review, you must be logged in to an active personal account on Facebook. Once you're logged in, you will be able to comment. User comments or postings do not reflect the viewpoint of BLABBERMOUTH.NET and BLABBERMOUTH.NET does not endorse, or guarantee the accuracy of, any user comment. To report spam or any abusive, obscene, defamatory, racist, homophobic or threatening comments, or anything that may violate any applicable laws, use the "Report to Facebook" and "Mark as spam" links that appears next to the comments themselves. To do so, click the downward arrow on the top-right corner of the Facebook comment (the arrow is invisible until you roll over it) and select the appropriate action. You can also send an e-mail to blabbermouthinbox(@)gmail.com with pertinent details. BLABBERMOUTH.NET reserves the right to "hide" comments that may be considered offensive, illegal or inappropriate and to "ban" users that violate the site's Terms Of Service. Hidden comments will still appear to the user and to the user's Facebook friends. If a new comment is published from a "banned" user or contains a blacklisted word, this comment will automatically have limited visibility (the "banned" user's comments will only be visible to the user and the user's Facebook friends).