Four years removed from the eardrum-obliterating comeback that was "The Formation Of Damnation", TESTAMENT roars back with an album that shatters any notion that the band hit its final peak in 2008. Where "The Formation Of Damnation" was among the band's most crushingly heavy offerings, "Dark Roots Of Earth" carries a noticeably different vibe than its predecessor by leaning more towards their (now) classic American thrash roots.Elements of "Practice What You Preach" and "Souls Of Black" can be heard all over "Dark Roots Of Earth", but this album is anything but a rehashing of former glories. The skilled interplay between Alex Skolnick and Eric Peterson, which features a wall-to-wall showcasing of intricate and harmonized runs, back-and-forth soloing, hooky riffs and metallic perfection, is at the centerpiece of this album. The duo displays everything that made them among the most formidable guitar teams on the late '80s / early '90s while placing everything into a modern context. The end result is a 2012 take on TESTAMENT's classic and pioneering sound. The years of dedication to their craft and perhaps a few spins of "The Gathering" (the razor-sharp edge of which slices right through the middle of this record) have allowed the guitarists to marry TESTAMENT's old and new with great success. Of course, the always brilliant drumming of Gene Hoglan, whose mere presence on an album improves its quality, drives this thrash fest right through the wall. No wait, he drives it over the wall. A bigger Greg Christian presence would have been appreciated by yours truly, but thanks to Andy Sneap's excellent production, his classic, punchy bass tone doesn't get lost in the fray. Dialing back on the death growls that dominated "The Formation Of Damnation", Chuck Billy's vintage vocal approach brings the biggest dose of "old-school" flavor to this album. We're still treated to the occasional and appropriately placed roar, but the majority of "Dark Roots Of Earth" sees Billy delivering the kind of raspy, yet clean and intelligently and melodically phrased vocals that made him a standout vocalist back in the day. His performances on "Rise Up" and "Cold Embrace", a ballad in the vein of "The Legacy", show exactly why he's still among metal's best. On that fateful day when the world comes to a cataclysmic end, those of us who consider ourselves TESTAMENT die-hards will probably die holding tightly to this album. Perhaps copies of "The Gathering" or "The Formation Of Damnation" will be snatched up a little quicker once the fire starts to fall from the sky, but, personally speaking, I would damn sure like to have songs like "True American Hate" and "Man Kills Mankind" blasting in my ears as I enter the great unknown.
To comment on a BLABBERMOUTH.NET story or review, you must be logged in to an active personal account on Facebook. Once you're logged in, you will be able to comment. User comments or postings do not reflect the viewpoint of BLABBERMOUTH.NET and BLABBERMOUTH.NET does not endorse, or guarantee the accuracy of, any user comment. To report spam or any abusive, obscene, defamatory, racist, homophobic or threatening comments, or anything that may violate any applicable laws, use the "Report to Facebook" and "Mark as spam" links that appear next to the comments themselves. To do so, click the downward arrow on the top-right corner of the Facebook comment (the arrow is invisible until you roll over it) and select the appropriate action. You can also send an e-mail to blabbermouthinbox(@)gmail.com with pertinent details. BLABBERMOUTH.NET reserves the right to "hide" comments that may be considered offensive, illegal or inappropriate and to "ban" users that violate the site's Terms Of Service. Hidden comments will still appear to the user and to the user's Facebook friends. If a new comment is published from a "banned" user or contains a blacklisted word, this comment will automatically have limited visibility (the "banned" user's comments will only be visible to the user and the user's Facebook friends).