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AMON AMARTH
"Deceiver of the Gods"
Deceiver of the Gods


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THE DILLINGER ESCAPE PLAN
"One of Us is the Killer"
One of Us is the Killer


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AMORPHIS
"Circle"
Circle


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CATHEDRAL
"The Last Spire"
The Last Spire


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KYLESA
"Ultraviolet"
Ultraviolet


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SODOM
"Epitome of Torture"
Epitome of Torture


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GHOST
"Infestissumam"
Infestissumam


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INTER ARMA
"Sky Burial"
Sky Burial


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A PALE HORSE NAMED DEATH
"Lay My Soul to Waste"
Lay My Soul to Waste


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DIO
"Magica Deluxe Edition"
Magica Deluxe Edition


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Last Updated: June 19, 2013 9:05 AM




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Video: PARADISE LOST Joined By GUS G. For Cover Of BLACK SABBATH Classic - June 19, 2013
British gothic metal pioneers PARADISE LOST celebrated their 25th anniversary with a very special show at the Metal Hammer Golden Gods awards, which was held this past Monday night (June 17) at London's esteemed Indigo2 venue (headlined by the other British legends MOTÖRHEAD).

PARADISE LOST invited their friends Cristina Scabbia (LACUNA COIL) — who sang "Say Just Words" in a duet with PARADISE LOST frontman Nick Holmes — and Gus G. (FIREWIND, OZZY OSBOURNE) who joined PARADISE LOST to pay tribute to the godfathers of metal, BLACK SABBATH, for an "Into The Void" cover version.

Video footage of the "Into The Void" performance featuring Gus G. can now be seen below.

In a statement released last week, Holmes stated about the Metal Hammer Golden Gods show: "[I am] really looking forward to singing with Cristina. I think it will be a lot of fun. She has an amazing voice, and I'm looking forward to being completely overshadowed!"

Adds PARADISE LOST guitarist Greg Mackintosh: "It is the dream job of any guitarist to play for Ozzy, and Gus achieved that. I watched him at Graspop festival and he slayed the crowd. It will be awesome playing my favourite SABBATH song with Gus."

PARADISE LOST wil embark on a four-date U.K. tour in October/November to celebrate their 25th anniversary. Support on the trek will come from LACUNA COIL.



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VIVIAN CAMPBELL: 'I Have No Intention Of Dying Anytime Soon' - June 19, 2013
DEF LEPPARD and LAST IN LINE guitarist Vivian Campbell, who revealed earlier in the month that he is currently undergoing treatment for Hodgkin's Lymphoma, was interviewed on this past Friday's (June 14) edition of Eddie Trunk's "Friday Night Rocks" radio show on New York's Q104.3 FM. A partial BLABBERMOUTH.NET transcript of the chat follows below.

Trunk: How's it going for you, because, for people who haven't followed the story all that closely, I was very sorry to hear the news that you announced earlier this week that you have been diagnosed with cancer. So how are you doing?

Vivian Campbell: I am doing very well, all things considered. I've got to say the treatment is going great. And I am looking forward to getting out and doing some shows this summer with LEPPARD and LAST IN LINE.

Trunk: Well, you know, I was telling the audience, Vivian, before you called in earlier in the show, that I remember talking to you about six, eight weeks ago, we spoke on the phone, because you've been wanting to come on "That Metal Show" for a long time. And I remember talking to you; you were doing the [Las] Vegas residency [with DEF LEPPARD] at the time. And you were like, "I can't do it this time, I'll explain soon. There's something going on." I assume this is what was going on, right?

Vivian Campbell: Indeed. I think it's a legitimate excuse.

Trunk: Yeah, absolutely I'd say so.

Vivian Campbell: But yeah, I'm looking forward to getting on "That Metal Show" sometime in the future, if you still want me.

Trunk: Yeah, of course we do. But tell me how this happened in terms of when you found out about it, what exactly is going on and what your symptoms were.

Vivian Campbell: I have Hodgkin's lymphoma; it's a kind of blood cancer. And what alerted me to the fact that something was amiss was, pretty much exactly a year ago, we were in rehearsals for the DEF LEPPARD summer tour and I developed this cough and it just wouldn't go away. Some days it was more pleasant than others, but for the most part, I was coughing 24/7, and I just went to a few doctors and they couldn't diagnose what was going on until they actually had a look at my chest and realized that I had enlarged lymph nodes. So I got my diagnosis, actually, just before we started, when we were in rehearsal for the Vegas shows this past March and April. And as soon as those shows were finished, I started my chemotherapy treatment, so I'm just over two months into the chemo and is going remarkably well. I've got to say I feel so much better, actually, since the first chemo treatment. I stopped coughing and I definitely feel like I have a lot more energy as a result of that. So obviously, there's a lot of side effects from doing chemo, as I'm sure a lot of your listeners know. Which is one thing that's actually really resonated with me as a result of going public with this is how many other people suffer from cancer of different shapes and forms, you know. It's unfortunately a very prevalent disease.

Trunk: Yeah.

Vivian Campbell: Anyway but I've been very, very touched by all the love and support I've had via my Facebook page and via the DEF LEPPARD Facebook page and the LAST IN LINE page. So it's good to know you're not alone.

Trunk: Yeah, I thought it was good that you did go public with it, because I think that others that are going through it could kind of maybe find, you guys could find some mutual strength and very much a community. I mean, you're right it's way too common. I mean, both of my parents are cancer survivors and it's, you know, I mean, there's hardly anybody that anybody knows that hasn't dealt with it directly or an immediate relative. So I think that I would assume that it's good to kind of reach out to the community and talk to other people that are fighting the same things you are and different experiences they're having with whatever the treatment would be.

Vivian Campbell: Well, certainly. You can gather a lot of strength from that, you know. For me, I did kind of want to not go public with it at first, because it is a weird kind of thing. You've got to kind of learn to deal with it on your own terms before you can address the rest of the world about it. So, you know, I feel very comfortable going public about it. For the first couple months, I even tried to keep it from my children, because they were still in school and doing exams and stuff and I didn't want to add to their concerns. But after a while, it's inevitable that you, you know, something's going on and you have to kind of come out with it and kind of explain what the situation is. But I'm very comfortable with it. I'm very comfortable with the treatment. I'm very comfortable with how my body is reacting to it. Obviously, it's done a number on my hair, so I'm a bit more Joe Satriani these days. I'm hoping that means I'm going to play even more notes like Joe.

Trunk: Well, that's the least of your worries. That could always come back, you know.

Vivian Campbell: Yes, indeed. So, you know, but it's all good you know. I have no issues with [any of it]; I'm perfectly at peace with it all.

Trunk: Struggling with a cough, which you said was your major symptom, I mean, that had to wreak havoc on you in DEF LEPPARD because, as everybody knows, with the harmonies in that band, and you're a big part of that singing, it must have interfered at times with the live show, right?

Vivian Campbell: It did, actually. It was difficult, because, you're right, we're singing, we're on the mic every song, so I actually had to keep turning and looking at [drummer] Rick Allen, and people, I think, were thinking maybe I was just rocking out with Rick, but I was actually coughing up a lung the whole time. It was very uncomfortable and it just got worse and worse towards the end of the tour last summer. And it was kind of pretty bad when I was in Vegas too. I mean, I had some things that were more tolerable than others. But a lot of people noticed it too. I know I wasn't fooling anyone with it. I'm glad that that part is gone at least. I can breathe a lot easier now, and now I'm essentially dealing with the chemo and not with the cancer. I'm pretty sure I've knocked the shit out of the cancer at this stage. It's just dealing with the side effects of chemo, you know.

Trunk: Viv, did this, and of course, we'll talk about a few other things as well, but was there any history of this in your family at all?

Vivian Campbell: No, this is an idiopathic disease. There's no rhyme nor reason for getting it. It strikes anyone. It doesn't have anything to do with your lifestyle or your diet or your ethnicity or your genetic makeup or anything. In fact normally it strikes people younger — usually in their 20s and their 30s. So there's no reason for it at all; it just kind of was a random thing.

Trunk: Yeah, I think that's what I learned about cancers, because there's some that are obviously hereditary. Like my dad is a colon cancer survivor, so as a result I get screened every three years, just because that is something that's very hereditary. My mom survived a very rare form of leukemia, and when that happened, the doctors were, like, "No, it's completely random, so you don't have to worry about it; there's no screening for that." So you learn a lot about this, whether directly through you coming forward or just having experiences with it, that I imagine help you. What was your… When you got this news, were you floored? How did you handle it?

Vivian Campbell: No, I wasn't floored. I knew something was wrong, and I was just glad to find out what it was, to be honest, you know. I was glad that there was finally an explanation. Obviously, when your doctor says you're going to finish six months of chemo, you immediately think that's probably not going to be fun. But now I've taken it in my stride. It's a bump in the road. It is what it is. It could be a lot worse, you know, and there's a lot worse cancers out there and I was very, very lucky to find it very early so it's just a question of riding out the treatment. It's actually been good for me in a lot of ways. It's been a very humbling experience, and it kind a helps you recalibrate and put the focus on what's important in life.

Trunk: What exactly is the treatment? I mean, are you taking injections or do you have to go to the hospital on a regular basis? What are you doing exactly?

Vivian Campbell: Yeah, yeah. I go to my doctor's office approximately every two weeks and they hook me up and drip chemo into me for about two or three hours.

Trunk: And is it — have you had real — besides the hair loss, have you had really — what are the major side effects? You being sick to your stomach and things like that?

Vivian Campbell: Yeah. It's uncomfortable. It hasn't been debilitating for me, you know, which is why I'm able to go on tour with LEPPARD and with LAST IN LINE this summer, because it's not anything that brings me to my knees, where I am puking 24/7 or anything like that. I do have moments of discomfort and nausea, bone pain and tiredness and stuff, but it's nothing that's affected, or at least I haven't let it affect my daily life. You know, I'm sitting here having a beer, to be honest. And I've had a full day. I've been up since seven this morning and being out and doing this and that and the other. So it's — I really haven't let it impinge on my lifestyle too much. But maybe that's just me; I'm just an ignorant cunt when it comes to that shit.

Trunk: I was going to say, is that almost more of a mental outlook? I mean, I know that this stuff can be a really brutal to deal with in terms of the treatments, but it sounds to me almost like your mental disposition, going into it, is, like, "Well I'm going to take this down, I'm going to not miss a beat playing with the band and I'm even going to have a beer on the weekend." It sounds like that's probably pretty healthy in terms of your mental approach.

Vivian Campbell: I do think so, yeah. It definitely starts in the mind, and I'm not of the mindset that I'm about to be sick, and I certainly have no intention of dying anytime soon.

Trunk: And they're telling you that the prognosis to cure this I think I read in your online statement was about 80 percent, right?

Vivian Campbell: Well, yeah. I mean if you're going to have a cancer, it's the one to get. It's over 80 percent cure rate, especially when you catch it early, like I did. It didn't get to the bone marrow or anything like that, you know. So I'm really not at all concerned about it, you know. It's just a question of dealing with the side effects of chemo, as far as I'm concerned.

Trunk: So tell me about the touring plans then, because I don't know if DEF LEPPARD has anything scheduled for America, but what is your next move as far as playing?

Vivian Campbell: I'm leaving for France on Wednesday morning. We have a brief European run of shows, starting at Hellfest in France next Friday, a week from today. So that's the first show, and then we have four shows in Spain, arena shows that were going with WHITESNAKE in Europe. And then we have three shows in Scandinavia. That's one in Norway and two in Sweden. And then I've got to fly back to L.A. to do a chemo treatment for a day and a half. And then I fly up to Canada to rejoin the band. Two shows in Canada, and we have to on the East Coast of America and that's it for LEPPARD for this summer.

Trunk: Wow. So you really feel good enough and confident enough that you're going to be able to handle all that travel and doing that stuff?

Vivian Campbell: I am 100 percent confident I can do it. Yes.

Trunk: Wow. That's remarkable, man. Good for you. And then I know that we had Rick Allen, he's coming up on "That Metal Show". We had him in there this season and he was telling me that he and the band had an absolute blast with that Vegas residency and kind of let us to believe that there might be more of that coming somewhere down the line, I guess.

Vivian Campbell: Well, it was a lot of fun. I'd say the most fun part of it was being DEAD FLAT BIRD, being own opening act, because we could get out there and just — there were no rules as regards to what DEAD FLAT BIRD played, so we were playing some really early LEPPARD stuff.

Trunk: All the stuff that I probably pestered everybody to hear.

Vivian Campbell: Exactly, yeah. I mean, that was great. It's very refreshing for us to play something other than "Pour Some Sugar On Me", you know. You can understand yourself. I mean, we're sort of between a rock and a hard place. We have to play the hit songs, and we're very fortunate that the band has those hit songs to play, but, you know, it's a lot more fun for us to get out there and do something obscure. So we got to do that, which was a lot of fun. And, actually, to break the show up into two parts was very theatrical too, so that adds a lot to the excitement level for us.

Trunk: When I saw online some of the songs you guys were doing, 'cause if people didn't understand what happened. DEF LEPPARD came out as their own opening act when they did their residency in Vegas and you played all these deep tracks, early tracks, obscure tracks. And when I saw that stuff coming through online, I mean, I was so pissed that I didn't get there to see it, because I was dying seeing that setlist. But the way Rick made it sound, it probably will happen again at some point, so that would be good to see.

Vivian Campbell: I would hope so, yeah.

Trunk: Have you guys talked about or work on any new music yet?

Vivian Campbell: We've done a lot talking about it, that's for sure. And we even done a little work on it. Yeah, we started a song when we were in Vegas. It's just difficult to get us altogether. As you know yourself, we're kind of scattered geographically in terms of where we all live, and it's difficult to get us all on the same page at the same time. And when we do get together or work, it's always for another purpose other than specifically to do a record. I mean, we haven't scheduled time to do that for many years. And at this stage, we are long, long, long overdue having some new music. It's kind of embarrassing, actually, but we've started something at least.

Trunk: Well, you're an Irishman living in Los Angeles and Joe's [Elliott, vocals] an Englishman living in Ireland. So I would think that you would be, if anything, pushing to either do the record in L.A. or in Ireland so you could go home for a little bit.

Vivian Campbell: Well, I certainly rather do it in Ireland. I'm not in L.A. by choice. I mean, I'm here because my children live here. And as soon as they go to college, I'm getting out of [Los Angeles]. I'm not saying I'm going to go back to Ireland specifically but yeah, L.A. is a strange spot, as you know. Home is where you make it and, you know, that's where my kids are. But yeah, we have, in the past when DEF LEPPARD did actually make albums, it is geographically beneficial for us to record it in Ireland, for one reason or another.

Trunk: Yeah, and I saw a documentary on THIN LIZZY and they went into Joe's house with Scott [Gorham, THIN LIZZY guitarist] when they were remixing some of that stuff and I saw in the video Joe looks like he has a nice setup there.

Vivian Campbell: He certainly does, yeah.

Trunk: It wouldn't be a bad place, it doesn't look like, that's for sure. Let me ask you one more thing on another topic here, Viv, before I let you go. You mentioned LAST IN LINE, which, for those that don't know, you're going to go out with Jimmy Bain [bass] and Vinny Appice [drums] and a singer and do material from the first two DIO records, which, of course, you were a huge part of. Where does that stand? What's the progress report there?

Vivian Campbell: Well, we actually had intended to do a three-week European tour incorporating a lot of festivals, but because of my chemo treatment schedule, we've had to curtail that seriously. So as it happens, I mean, we're fitting shows between my treatments so we can only manage to do four shows. They're going to be in the U.K. actually. Well, the first one is in Northern Ireland, in my hometown of Belfast, on August 8. So basically we have three shows, three club shows and one festival date in the second week of August.

Trunk: Have you guys rehearsed?

Vivian Campbell: A little bit, not a lot.

Trunk: I was just wondering for you, how did it feel to revisit music that is 30 years old and such a huge part of how people discovered you as a player? But for a long time you kind of moved away from that and embracing it again and did you have to relearn and re-listen to it to remember what you actually did?

Vivian Campbell: I actually did, yeah. I didn't listen to those records for decades, for one reason or another. So yeah, I literally had to go in and relearn it. I specifically want to play my guitar solos as they were on the record, or as close to as possible, because that's the way that people have been listening to it for 30 years. So it's going to be in people's DNA, and that's what people are going to want to hear. So it has been a bit challenging for me to go back and relearn my original guitar solos, because even when I was with DIO, I don't think I ever played them exactly the same live. I was always a bit haphazard with regard to how I approach recording guitar solos. So they're a bit sporadic, they're a bit challenging to relearn. But it's been good for me. It's been a really good exercise and I'm getting back into playing my guitar again, which I would blame on THIN LIZZY. The stint I did with LIZZY in 2011 really kind of reignited my passion for shredding again. So that's kind of what led to me calling Jimmy Bain and Vinny Appice and Claude Schnell to see if they wanted to get together and play. So it's been fantastic. I mean the first time we actually got in there and play together it sounded really, really, really tight like it was 90-something percent there. We could have done a gig that night, you know. It just kind of comes back to you.

Trunk: And the all important question is tell everybody about the singer because he's got some big shoes to fill.

Vivian Campbell: Yeah. We have this great singer name of Andrew Freeman. When I called Vinny and Jimmy and Claude to get together and play, I mean, it was literally just to do that. Like, "Hey do you want to get together and jam?" And we booked a rehearsal room on an afternoon somewhere in the valley here in L.A. and went out and played. And while we were there, Vinny actually said, "Hey, I know this great singer. He lives nearby. His name's Andrew Freeman. He sang in LYNCH MOB when I played with George Lynch." And I said, "Well, give him a call see what he's doing." So Andy actually came down that very afternoon, that first afternoon we were playing, and he just walked in and he set up his little iPad, he had his lyrics on it and he just started singing. And it gave me goose bumps. He doesn't sound like Ronnie, he doesn't have that tonality and very few people do. And in a way, I'm grateful that he doesn't, because I think it would've been weird to try to have a Ronnie clone. But he certainly has the same power in his voice and he has the same passion and he certainly has a similar range, so he can hit the notes and he brings his own twist to it. So hearing Andy sing, and just playing with those guys again, it kind of — we sat down afterwards and we all said well let's take this a stage further. Let's go out and do a gig or something. So one thing kind of led to another and we're talking about doing a tour. Then we decided to call it LAST IN LINE and here we are. We're actually going ahead and doing it.

Trunk: Viv, you know, it's no secret, and of course, it spilled out many times publicly that you and Ronnie had differences when Ronnie was still alive. And I wonder, what has been the reaction from the fan base? Have you gotten a sense of, you know, I'm sure there's a degree of people that agree that those albums you were a part of are the definitive albums — I do, for one — but, obviously, look at it a little bit cross-eyed, saying, "Well, this guy kind of distanced himself and had this kind of sparring with Dio and now Ronnie's gone, and now he's going to go out and embrace it. I mean, how do you answer that and what is your feelings about that?

Vivian Campbell: Well, as far as I can gauge, I mean, opinion is kind of impassioned one-way or the other, which is good. I mean, I'd rather people cared than didn't care. I mean, people either seem to be very passionately in favor of it or very passionately against it, you know. There's very few in between. For those you actually embrace the music for what it was, I mean, those songs were not only recorded and played by Vinny and Jimmy and myself, but they were also written by us. You know, I think a lot of people forget that that we were very, very much a creative part of those records. And I think people have to approach it with an open mind. I do regret a lot of the things I said about Ronnie, and I'm sure if Ronnie were alive today, he would sit down with me and have a beer and shake my hand and that he would probably apologize for wishing me dead. It was an unfortunate situation. I wanted to distance myself from that music and from that organization, because I was very unceremoniously fired from that band. And then, in the years afterwards, it was portrayed by Ronnie and Wendy Dio that I had turned my back on the band, that I had left the band, which couldn't be further from the truth. I was fired in the middle of a tour for only asking that Ronnie and Wendy fulfill a promise. Actually, Ronnie fulfill a promise; Wendy knew nothing about it.

Trunk: Can you reveal what that promise was?

Vivian Campbell: Well, when we first met on the very first night that the DIO band formed, it was in a rehearsal studio in north London in October 1982. And it was Ronnie and myself and Jimmy and Vinny, and we hung out and we played. And that was the birth of the band. And Ronnie kind of explained to us that he didn't want to be a solo artist, he wanted to have a band, but he was going to call it DIO for a number of reasons. Number one, for name recognition because he was a celebrity, he was a star. Obviously, number two, he had an existing record deal at the time and he kind of explained to us that he wanted us all to contribute creatively, which we did. And he explained to us that by the third album, that through our blood sweat and tears, that it would be an equitable situation. And I just held him to that promise come the third album. Apparently, the promise was forgotten, so the result of that was I was fired. And that really did hurt me a lot, because I did give blood sweat and tears for that band. I wrote those songs with Ronnie, I gave it some of my best years and I worked for nothing, practically. I worked for less than our road crew. Anyone who was in that band at that time will tell you that our road crew got paid more than the band did, because we believe that we were working toward something that had been promised to us. So it was an unfortunate situation, and it really, really hurt me. So for many, many years I wanted nothing to do with the music. I wanted nothing to do with Ronnie or Wendy Dio. And as a result of that, I did lash out and I did say some things that perhaps were a little bit harsh.

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QUEENSRŸCHE Bassist To Throw Out First Pitch At Seattle Mariners Vs. Pittsburgh Pirates Game - June 19, 2013
Bassist Eddie Jackson (pictured below) of Seattle progressive metal veterans QUEENSRŸCHE will throw out the first pitch at Seattle Mariners' home game against the Pittsburgh Pirates on June 26.

The new self-titled album from the Todd La Torre-fronted version of QUEENSRŸCHE, will be released on June 25 via Century Media Records. The cover artwork was created by Craig Howell, who has previously worked on designs for "Star Wars", SLIPKNOT and "American Idol", to name a few.

"Queensrÿche" marks the debut release from the lineup comprised of La Torre (vocals; ex-CRIMSON GLORY), Michael Wilton (guitar), Parker Lundgren (guitar), Eddie Jackson (bass) and Scott Rockenfield (drums). The drums for the album were recorded at London Bridge Studios in Seattle, Washington with producer James "Jimbo" Barton — the man who engineered and mixed the band's classic 1988 LP, "Operation: Mindcrime", and its 1990 follow-up, "Empire", and co-produced 1994's "Promised Land". The rest of the music and vocals were laid down at several different facilities on the West Coast.

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YNGWIE J. MALMSTEEN To Guest On 'Oscar's Guitar Shop' - June 19, 2013
Legendary Swedish guitarist Yngwie J. Malmsteen will guest on "Oscar's Guitar Shop" on LaTalkRadio.com to discuss his current album, "Spellbound", touring, and his autobiography titled "Relentless: The Memoir". The Malmsteen interview will be broadcast live on Friday, June 28 at 2 p.m. PST and explore his career, guitar techniques, and discography.

Sponsored by Music Connection magazine, "Oscar's Guitar Shop" is a one-hour talk show featuring the finest guitarists in the music industry. Discussions include music, gear, hot licks, and the creative process.

For more information, visit www.oscarsguitarshop.com.

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LETLIVE: Entire New Album Available For Streaming - June 19, 2013
Los Angeles-based four-piece rock band LETLIVE will release its new album, "The Blackest Beautiful", on July 9 via Epitaph Records. The CD is now available for streaming in its entirety at this location.

The group has premiered the first new song, "Banshee (Ghost Fame)", in the form of a powerful video. Additionally, fans who pre-order "The Blackest Beautiful" at LetliveStore.com will receive an instant download of "Banshee (Ghost Fame)".

"This song explores the tragic humor in entertainment as an industry as opposed to an art," explains LETLIVE's inimitable vocalist Jason Aalon Butler. "Sonically this track was a pretty suitable representation of the record's sonic spectrum. We also employed some elements of groove that we have always been fans of."

Named #1 on Kerrang!'s list of "The 50 Greatest Rockstars in The World Today," Jason Butler, along with cohorts Ryan Jay Johnson (bass), Jean Nascimento (guitar) and Jeff Sahyoun (guitar), organically meld hardcore, punk, metal and even elements of jazz and R&B, on "The Blackest Beautiful", creating a progressive, indelible sound that walks the line between aggressive and melodic and crosses a gamut of genres with an intensity that's rarely found in music today.

"The mindset was certainly a holistic one when regarding this record," Butler adds. "The vibe developed on its own as we wrote it. While we certainly indulged particular tastes, stylistically, as individuals, we made sure that the product culminated as something we could all enjoy. Essentially we all got to explore elements we had always wanted to and somehow found a way to marry them tastefully on one album."

Produced by the bandmembers themselves with the help of longtime co-conspirator Kit Walters and mixed by pop guru Stephen George (MARY J. BLIGE, MICHAEL JACKSON), "The Blackest Beautiful" features eleven politically, socially and personally conscious songs like "The Priest And Used Cars", which refers the tragic costs of poisonous zeal, "Virgin Dirt", about self-sabotaging relationships, and "27 Club", a personal tale of living life selflessly or selfishly.





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MISERY SIGNALS: Snippet Of New Song Available For Streaming - June 19, 2013
Five long years since their last release, Milwaukee metal band MISERY SIGNALS will return on July 23 with its new album, "Absent Light".

Foregoing the traditional record label release model, MISERY SIGNALS launched an Indiegogo campaign in March to work directly with fans to crowd-fund the new album by offering unique funding packages that included handwritten lyrics, vinyl box set, music lessons, listening parties and more. By May, the band had not only reached their funding goal, but had surpassed it by double the amount. The support was a definite sign that fans were eagerly awaiting new music from the seminal band.

"We were floored by the excitement from the people supporting the album," guitarist Ryan Morgan says. "It's a good feeling to have an audience matching the enthusiasm we are putting into it's creation — and they haven't even heard it yet! It'll all come together when they get to hear how insane this album is."

An exclusive audio preview of a new album track, "Reborn: An Execution", is available below.

MISERY SIGNALS will kick off its record-release tour in July, with dates running through mid-August.

In the course of three full-length albums, MISERY SIGNALS' unique style of aggressive riffs, bright guitar melodies and progressive time signatures have become a significant influence on bands in the genre. Their groundbreaking 2004 debut, "Of Malice And The Magnum Heart", placed the band at the top of their genre for their talent and impeccable musicianship. Following up with the release of "Mirrors" in 2006, the band continued to cultivate a dedicated following with the addition of Karl Schubach on vocals. Their latest release, "Controller", hit heavy and hard with crushing energy appeasing old and new fans alike. After a year of world touring, in support of "Controller", and with the departure of longtime members Stu Ross and Kyle Johnson, the remaining members put the band on pause to focus on other interests and side-projects. With a revitalized lineup and an overflowing passion to create music again, MISERY SIGNALS is ready to be back in full force.







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GORGUTS: New Album Cover Artwork, Track Listing Revealed - June 19, 2013
Canadian technical death metallers GORGUTS will release their fifth album, "Colored Sands", on August 30 in Europe and September 3 in North America via Season Of Mist. The effort will be made available will be available as a digipak CD limited to the first pressing, regular black LP, transparent clear LP and red/yellow colored LP.

"Colored Sands" track listing:

01. Le Toit Du Monde
02. An Ocean Of Wisdom
03. Forgotten Arrows
04. Colored Sands
05. The Battle Of Chamdo
06. Enemies Of Compassion
07. Ember's Voice
08. Absconders
09. Reduced To Silence

GORGUTS guitarist/vocalist Luc Lemay previously told Zero Tolerance magazine about "Colored Sands": "It's a whole concept album, so I've been reading books for a year a year and a half for the lyrics to know what I'm going to talk about.

"The lyrics process is very hard for me. First, I'm French, and then I need to educate myself on the topic I'm going to talk about. I'm not going to educate myself on the Chinese invasion of Tibet with a Wikipedia thing.

"I bought piles of books. I feel the same way I did at the conservatory when I was writing classical pieces. It takes months and months, the pieces you just can't get it out of your system. You need to become a sponge, you need to get soaked with the topic. So far so good I'm very very happy with what we've done.

"In the first place I wanted to write the whole album about the rituals of mandalas made with sand. One day my girlfriend's little daughter colored in a coloring book a mandala for me and I wondered what a mandala was, I liked the word. I searched on the Internet and found out this is a Tibetan thing and then it clicked, this is gonna be it, but I didn't have any clue, I wasn't very educated on the Tibetan culture. This mandala thing gets so complex, you could study it for 25-30 years before you know exactly what you're talking about, so I said, 'Okay, I'll take it from a different angle.' It's not a National Geographic documentary either. It's very poetic and very epic. This is my vision. I have no pretension about telling 'truth'; it's how I feel about these people."

The band has also announced a string of headlining shows leading to and from this year's Hopscotch Festival. the U.S. trek, which begins on September 5 in Springfield, Virginia, will travel through Hopscotch before ending on September 8 in Worcester, Massachusetts.

War On Music Records in 2011 released on vinyl the GORGUTS albums "From Wisdom To Hate" (2001) and "Obscura" (1998). These records were largely regarded as pioneering works in the technical death metal genre, and set the standard for the decade to follow.

GORGUTS' current lineup is as follows:

* Luc Lemay (NEGATIVA) - Vocals, Guitar
* Kevin Hufnagel (DYSRHYTHMIA, WHILE HEAVEN WEPT, BYLA, EUCLID STREET, THE FIFTH SEASON, GREY DIVISION BLUE) - Guitar
* Colin Marston (DYSRHYTHMIA, BEHOLD... THE ARCTOPUS, BYLA, KRALLICE, INDRICOTHERE) - Bass
* John Longstreth (DIM MAK, ORIGIN, THE RED CHORD, SKINLESS, POSSESSION, ANGELCORPSE) – Drums





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THE JOKERS: Snippet Of 'Radio' Single Available For Streaming - June 19, 2013
British rockers THE JOKERS will release their second album, "Rock 'N' Roll Is Alive", on September 2 in Europe and September 10 in North America via Steamhammer/SPV.

A snippet of the CD's first single, "Radio", which will be made available digitally on June 24, can be streamed using the SoundCloud widget below.

Even if music fans on the other side of the Atlantic may beg to differ: the best and most authentic rock bands still come from the U.K. The country with its long tradition of legendary groups such as THE WHO, FREE, MOTT THE HOOPLE, THE FACES and LED ZEPPELIN continues to be an ideal breeding ground for promising acts in 2013. So it comes as no surprise that THE JOKERS also hail from the U.K. The four-piece — consisting of brothers Paul (guitar) and Simon Hurst (bass) and their two colleagues, Wane Parry (vocals) and Chris Poole (drums) — has succeeded in successfully transporting classic rock music into the present without denying the illustrious past of this musical direction or lacking a contemporary and topical approach.

THE JOKERS first came to public attention in summer 2009 when their debut album, "The Big Rock' N' Roll Show", was released independently, achieving remarkable sales within a few months. Countless shows in seedy clubs and shady joints followed, the four musicians having only one target: to make THE JOKERS popular and to grow as artists.

"We're a hard-working band. We like to play as often as we can and keep learning all the time," Paul Hurst explains. "Everything about THE JOKERS is honest and authentic, our sole aim is to be successful and make people happy."

Over almost two years, THE JOKERS spent a total of five months working on "Rock 'N' Roll Is Alive" with producer Andy Macpherson (ERIC CLAPTON, THE WHO, BARCLAY JAMES HARVEST, THE BUZZCOCKS). The result is bound to delight all rock music fans. Hurst says: "We have grown perceptibly in the past 24 months and are now ready to present an album which bears its title with justification. Rock 'n' roll is an attitude, it stands for freedom, tolerance and self-fulfilment. 'Rock 'N' Roll Is Alive' reflects all these aspects perfectly."

Adds SPV/Steamhammer A&R representative Olly Hahn: "THE JOKERS have the right feeling for melodies and together with their dry but punchy hard rock sound, it's a combination not to miss. I'm really happy that the band decided to join the SPV family!"



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ENTHRALLMENT Taps JAMES MURPHY For New Album Mastering - June 19, 2013
Bulgarian death metallers ENTHRALLMENT have tapped guitarist-turned-producer James Murphy (DEATH, OBITUARY, TESTAMENT, CANCER, KONKHRA, DISINCARNATE) to master their fourth album, "The Voice Of Human Perversity", for a late 2013 release. The CD was recorded at Murder Sound Studio in Bulgaria and will feature the following track listing:

01. Screams Etched Within The Crags
02. Rats Before The Worms
03. Mummified Ante Mortem
04. Rove In Hell
05. Stench Of Burnt Down Sanctuary
06. Madness Coloured In Light
07. Tones Of Gladness
08. Tool Of Suicide

ENTHRALLMENT's last album, "People From The Lands Of Vit", came out in April 2012 via the American label United Guttural Records. The cover art, entitled "Hell", was a creation of Bulgarian artist Stefan Stefanov.

According to a press release, "ENTHRALLMENT's music can be described as brutal-yet -technical, early-'90s-era death metal. All instruments play a major role in the formation of every intense song. The string section is totally heavy and sick, delivering riff after memorable riff. Driving percussion blasts and pounds and ultimately reinterprets shredding riffs into headbang inducing hooks while intensely pissed off guttural vocals deliver the sadistic sermon. Their sound has been compared to SUFFOCATION, CANNIBAL CORPSE and DEVOURMENT."

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BLACK SABBATH's '13' Sells More Than 150K Copies In U.S., Tops BILLBOARD Chart - June 19, 2013
"13", the first BLACK SABBATH record in 35 years to feature singer Ozzy Osbourne, guitarist Tony Iommi and bassist Geezer Butler all playing together, sold 155,000 copies in the United States in its first week of release to land at position No. 1 on The Billboard 200 chart. The record arrived in stores on June 11 via Vertigo/Universal Republic. This marks BLACK SABBATH's return to Vertigo, their original label, and the group's first studio album together since 1978's "Never Say Die!"

Details of the album's deluxe edition surfaced on April 19, with the band revealing that the eight-song effort is accompanied by three bonus tracks called "Methademic", "Peace Of Mind" and "Pariah".

Several versions of "13" are available for order, including a standard CD, a double CD that includes a second disc of exclusive bonus audio, a heavyweight vinyl album in a gatefold sleeve and the aforementioned "Super Deluxe Box Set", which contains the double CD, the vinyl album, an exclusive DVD documentary on the band's reunion, 13 photographic prints and hand-written lyrics.

"13" track listing:

01. End Of The Beginning (8:05)
02. God Is Dead? (8:52)
03. Loner (4:59)
04. Zeitgeist (4:37)
05. Age Of Reason (7:01)
06. Live Forever (4:46)
07. Damaged Soul (7:51)
08. Dear Father (7:20)

Deluxe-edition bonus tracks:

09. Methademic (5:57)
10. Peace Of Mind (3:40)
11. Pariah (5:34)

Total running time (with bonus tracks): 68 minutes, 42 seconds

The drum tracks on the album were laid down by RAGE AGAINST THE MACHINE sticksman Brad Wilk following original drummer Bill Ward's decision to bow out of the reunion.

Osbourne went on the BBC in England to discuss the band's new single, "God Is Dead?" and the inspiration behind the track. Ozzy explained, "I was in somebody's office and there was a magazine on a table and it just said, 'God Is Dead', and I suddenly thought about 9/11 and all these terrorist things and religion and how many people have died in the name of religion. When you think about the tragedy that's happened throughout time, it just came in my head. You'd think by now that their God would have stopped people dying in the name of, so I just starting thinking that people must be thinking, 'Where is God? God is dead' and it just hit me."

Ozzy added that the question mark at the end of the title is his way of showing that he's not sure about the answer himself, saying, "At the end of the thing, there's still a bit of hope because there I sing that I don't believe that God is dead. It's just a question of when you see so many dreadful people killing each other with bombs, and blowing the tube trains up and the World Trade Center."

Ozzy told an Australian radio station that "13" is "mind-blowing," adding, "It's better than my wildest dreams; it's so good."

SABBATH kicked off its world tour in support of "13" on April 20 in Auckland.



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METALLICA: Official Video Recap Of 'Orion Music + More' Show, Meet-And-Greet, Tuning-Room Jam - June 19, 2013
A 25-minute MetOnTour video recap of METALLICA's appearance at the band's sophomore Orion Music + More festival, which took place June 8-9 in Detroit, Michigan, can be seen below. The footage includes METALLICA frontman James Hetfield and drummer Lars Ulrich taking part in the pre-show meet-and-greet; plus performances of "I Disappear" in the tuning room, and "Carpe Diem Baby" and "The Day That Never Comes" from the show. This was only the second time that "Carpe Diem Baby" had been performed live. It was also only the second time that "The Day That Never Comes" had been played over the past two and a half years.

According to The Pulse Of Radio, METALLICA bassist Robert Trujillo said on the ground at the festival that he was eager to bring the show back to Detroit in 2014. "We've got to come back here, you know," he said. "This is a great place. This city needs it. The weekend has been a blast and I can't wait 'til next year. I've already got ideas for next year, so we're looking forward to it."

As previously reported, METALLICA played a surprise set on June 8 under the name DEHAAN, playing their entire 1983 debut disc "Kill 'Em All" from front to back.

The band's headlining set the following night, which closed out the festival, featured rarities like "Carpe Diem, Baby", "I Disappear" and "Disposable Heroes" alongside the band's more traditional hits and live favorites.

The members of METALLICA were also spotted hanging out at their personal lifestyle exhibits, with James Hetfield seen at his custom car display, Trujillo overseeing the skateboarding at the Vans Vert Ramp, and drummer Lars Ulrich premiering a clip from the upcoming movie "Metallica Through The Never" alongside director Nimród Antal.

The Metallica Museum displayed the bass that Cliff Burton played at his final concert before his 1986 death in a Swedish bus crash, as well as other instruments, stage props and vintage concert flyers.

Robert Trujillo played two other sets during the course of the weekend, first with a reunion of funk-rockers INFECTIOUS GROOVES and then with his own TRUJILLO TRIO.

Spokesperson Charlie Walker of promoter C3 Presents said that around 20,000 attended the first day, with possibly more showing up on Sunday. As for whether Orion will return to Detroit next year, he replied, "We'll go through this one, wrap it up, see what the feedback is . . . Then we'll sit down and try to get a grip on what to do next."

A total of 37 groups, including the RED HOT CHILI PEPPERS, DEFTONES, SILVERSUN PICKUPS, RISE AGAINST and BASSNECTAR, performed on Orion's five stages.

THE JOY FORMIDABLE was unable to perform their show after arriving late in Detroit due to travel issues.

James Hetfield personally introduced the SILVERSUN PICKUPS and watched their set from the side of the stage.

Cliff Burton's father Ray was in attendance for METALLICA's surprise "Kill 'Em All" performance on Saturday.

Detroit native Bob Seger was rumored to be showing up to sing his classic "Turn The Page" with METALLICA. Although the band played the song, Seger was a no-show.



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PHILIP ANSELMO: Another New Solo Track Available For Streaming - June 19, 2013
Philip Anselmo, legendary frontman of PANTERA and DOWN, will release his career-first solo album, "Walk Through Exits Only", on July 16 via his own Housecore Records (MRI/Megaforce). "Walk Through Exits Only" will be available digitally, on CD and on vinyl.

Produced by Anselmo and Michael Thompson, and recorded over the past couple of years at Philip's New Orleans studio, Nodferatu's Lair, with his band THE ILLEGALS — guitarist Marzi Montazeri (ex-SUPERJOINT RITUAL) and drummer José Manuel Gonzales (WARBEAST) — "Walk Through Exits Only" is abrasive, aggressive, anthemic and 100% Anselmo. The album's eight songs are as unstrained as it gets, from "Battalion Of Zero" to "Usurper's Bastard Rant", to the album's title track that goes against the grain and right through the exits. Brash, brutal guitars cut through punishing percussion as Anselmo screams with uncompromising ferocity and uncontainable fire.

"Walk Through Exits Only" track listing:

01. Music Media Is My Whore
02. Battalion Of Zero
03. Betrayed
04. Usurper Bastard's Rant
05. Walk Through Exits Only
06. Bedroom Destroyer
07. Bedridden
08. Irrelevant Walls And Computer Screens

The song "Bedridden" is now available for streaming using the SoundCloud widget below.

"It wasn't about doing a paint-by-numbers thrash or heavy metal record," Anselmo explained about the project. "It's an angry album that only I could do. I don't see anybody else out there screaming about the same shit I'm screaming about. On this album, there isn't any wordplay, there isn't any hidden message, it's all right there in front of you."

The genesis of "Walk Through Exits Only" proved both comfortable and natural for its architect. In fact, everything began to slowly come together in the frontman's New Orleans home back in 2010.

"It started right there in the fucking black bedroom where I haunt," he smiles. "When I get an itch, I've got to scratch it. The sole idea at the beginning was to be unorthodox. It wasn't about doing a paint-by-numbers thrash or heavy metal record. I've always believed there are different elements of groove. It's definitely not a cemented science. It's an angry album that only I could do. I don't see anybody else out there screaming about the same shit I'm screaming about. I tried to portray it as personally as I possibly could."

Gonzales puts it best. "I think it's going to put the rock 'n' roll back in extreme music," he says. "That combination is very different. For as extreme as it is, it's controlled chaos."

"It's meant to be very unpredictable," Anselmo affirms. "When I hear enough of the same thing, I want to rebel. That was a key factor. Right when you think you've got it pegged, it goes in a different direction. That's what keeps things interesting."

In order to harness that unpredictability and realize his vision, he enlisted the talents of longtime friend Houston-based shredder Montazeri. Filling the seat behind the kit is Gonzales, who entered the fold at the tender age of 19. Back at Anselmo's studio Nodferatu's Lair, they recorded in spurts between DOWN's own rigorous recording and touring schedule. In the process of those intense sessions alongside engineer Stephen "The Big Fella" Berrigan, the record was born.

"There's nobody like Philip," says Montazeri. "For years, I've always wanted to do something completely original and meaningful with him. I'm just trying to bring something pure to this. Nothing gets in the way of this band's purity. When all of us get together, it's automatic. If I have an idea, Philip always welcomes it. We share a love for extreme music, and I feel like we've got an unbreakable bond."

Gonzales agrees, "These guys pushed me to limits I didn't even know I could be pushed to. We've been able to create something really special together."

The world's proper introduction to PHILIP H. ANSELMO & THE ILLEGALS came on the "War Of The Gargantuas" split with WARBEAST at the top of 2013. The two songs included on the split — "Conflict" and "Family, Friends, and Associates" — were only a separate and small taste of what was come to come on the full-length though.

In many ways, "Walk Through Exits Only" embodies the same underground spirit and ethos that Anselmo has proudly possessed for his whole life. Since his career began, he consistently shined light on what was happening beneath the typical "surface" of music, whether by inviting MORBID ANGEL, EYEHATEGOD, CROWBAR, or NEUROSIS onto a PANTERA tour or donning a DARKTHRONE or MAYHEM t-shirt on television or in a major publication. He's gone against the grain, past the tides, and right through the exits. Now, that sentiment pipes through loud and clear on the record's viciously vital title track.

"It does create an unorthodox approach to things," Anselmo continues. "The hook is a powerful line. Why make music the 'right' way? There really aren't any fucking rules. You've got to simply take what’s there and make it your own."

The opener "Music Media Is My Whore" lays all speculation to rest with its focused pummeling. About the title, he laughs, "I've gotten my share of fucking licks from the media over the years. I figured I'd give them one back. Lyrically, there was always something driving me though. I couldn't put my finger on it for the longest time, but it's very reality-based. I didn't mince any words."

"The message comes across in a crazy way," adds Montazeri. "That goes for the entire record though. There's no similarity between this and any other band. It breaks from tradition."

Not only does "Walk Through Exits Only" break from tradition, it lays the groundwork for a new road.

"Fuck another chapter," concludes Anselmo. "This is a whole new book. Some might call it ambitious. I say it's natural. I can do anything I want with this, and I will. I want people to take that unpredictability with them. If you're in a younger band, I want you to realize you don't have to play by the fucking rules. I want everyone to see that there's a lot more to the story than they'd ever realized when it comes to me. You can't and won't be able to tell what comes next from the kid. You can't pin me down unless it's in my own fucking corner which will be painted black and say, 'Reserved for Philip H. Anselmo.' You're very welcome to do that."

"Bedridden" audio stream:



"Walk Through Exits Only" (song) audio stream:



"Usurper's Bastard Rant" audio stream:







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SLIPKNOT's CLOWN Interviewed By U.K.'s METAL HAMMER Magazine (Video) - June 19, 2013
Metal Hammer magazine conducted an interview with SLIPKNOT mastermind/percussionist M. Shawn "Clown" Crahan at this year's Download festival, which took place June 14-16 at Donington Park in Leicestershire, United Kingdom. You can now watch the chat below.

As previously reported, Crahan spoke with Kerrang! magazine about the band's continued delay in recording a follow-up to 2008's "All Hope Is Gone" after the death of bassist Paul Gray in May 2010. The SLIPKNOT co-founder explained: "We haven't written an album in five years because we wrote one, we toured it for two years, and Paul died, and it's been three years. What do you want from me? Nothing. When I come back, when we come back, it will be time, you will understand, we will understand, and it will be right. We'll be the first band that could be off for five years and come back like we never were gone. So that's what it's all about."

Crahan also spoke about returning to England to headline the Download festival for the first time since Gray's death. Crahan said, "We take tonight as seriously as we did as the Astoria (in London) the first time we came over (to the U.K.). It's always been our way, it always will be our way."

He added, "I don't give a fuck about playing for the fans, I don't give a fuck about playing for myself, I don't give a fuck about the stage — any of it. All I care about is playing with my brothers . . . This is what I signed up for. This is what I started. This is my dream. And it's not just me; it's my bros and me playing what we were born to do."

SLIPKNOT has performed live over the past two years, but is not likely to begin recording a new album until 2014.

Crahan recently revealed that he plans to make a documentary on eating disorders and has asked for people to come forward and tell their stories. Crahan said, "Why eating disorders? My path through life has brought me into contact with a number of women and men suffering from these terrible diseases and I feel compelled to do what I can to help."



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PRIMAL FEAR Guitarist MAGNUS KARLSSON Talks Solo Album In New Audio Interview - June 19, 2013
On June 9, RockEyez conducted an interview with Swedish guitarist Magnus Karlsson. You can now listen to the chat in the YouTube clip below.

Frontiers Records has just released Karlsson's solo album under the title "Magnus Karlsson's Free Fall".

Karlsson started his cooperation with Frontiers Records in the year 2000 when his band LAST TRIBE was signed by the Italian label. After two more records with this group, Magnus was asked by Serafino Perugino, Frontiers Records label president, to write and produce some of their artists. This started a successful journey of collaborations with some of the greatest singers and musicians in the hard rock/metal world. The list includes the successful ALLEN/LANDE trilogy, STARBREAKER, BOB CATLEY, KISKE/SOMERVILLE and the list goes on and on. He finally joined the German heavy metal icons PRIMAL FEAR in 2008 and with them he toured the world and recorded two successful albums that climbed high on the charts in several countries.

This time, Magnus created his own album with his strongest melodic metal and hard rock set of songs ever and invited both old and new friends to sing them. The list includes Russell Allen (SYMPHONY X, ADRENALINE MOB), Ralf Scheepers (PRIMAL FEAR, GAMMA RAY), Tony Harnell (TNT, STARBREAKER), Mark Boals (YNGWIE MALMSTEEN, THE CODEX), Rick Altzi (MASTERPLAN, AT VANCE), Mike Andersson (STAR ONE, FULL FORCE), Rickard Bengtsson (LAST TRIBE), Herman Saming (A.C.T.), David Readman (PINK CREAM 69, VODOO CIRCLE). Rounding up the line-up on the album is Daniel Flores on drums.

"I've had the honor to collaborate with some of the greatest singers and musicians in the world," says Magnus. "Artists who have made my life richer with their magical music. On this album, I got the chance to write tailor made songs for some of my absolute favorite singers. I was thinking, what would I really like to hear from this or that guy, and then I wrote the songs. It’s like if I'm missing a song with my favourite singer in my record collection, then I just make that song for him! I listen like a fan and I write like a fan, well…I am a fan!"

"Magnus Karlsson's Free Fall" track listing:

01. Free Fall (lead vocals: Russell Allen)
02. Higher (lead vocals: Ralf Scheepers)
03. Heading Out (lead vocals: Magnus Karlsson)
04. Stronger (lead vocals: Tony Harnell)
05. Not My Saviour (lead vocals: Rick Altzi)
06. Us Against The World (lead vocals: David Readman)
07. Our Time Has Come (lead vocals: Mark Boals)
08. Ready Or Not (lead vocals: Magnus Karlsson)
09. Last Tribe (lead vocals: Rickard Bengtsson)
10. Fighting (lead vocals: Herman Saming)
11. Dreamers & Hunters (lead vocals: Mike Andersson)
12. On Fire (lead vocals: Magnus Karlsson)

Four of the songs can be sampled in the YouTube clip below.







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KATATONIA: 'Viva Emptiness' To Be Remixed, Remastered And Performed Live In Its Entirety - June 19, 2013
Fresh from their appearance at Download festival, KATATONIA, the Swedish purveyors of dark rock/metal, have been revealed as very special guests on PARADISE LOST's "Tragic Illusion" 25th-anniversary tour in October alongside LACUNA COIL.

Concurrently, also celebrating their own 10th anniversary for their masterful sixth album "Viva Emptiness", KATATONIA will perform the album in its entirety each night to make these shows even more special.

Originally released in 2003, "Viva Emptiness" is regarded by many, including the bandmembers themselves, as being among KATATONIA's finest albums. The CD cemented the band's reputation as a major force, combining refined metal with doom and gloom angst-laden rock.

To coincide with the shows and the album's 10th anniversary, "Viva Emptiness" will be entirely remixed and remastered by David Castillo, plus enhanced with new artwork courtesy of Travis Smith, for a re-release on November 4 via Peaceville.

Comments KATATONIA guitarist and founding member Anders Nyström: "Sometimes after an album has been out for a while, I always get the question if there's something we would have wanted to change or done differently, and 99% of the time I say 'no,' because we have happily moved on! But there's been one particular album that would in fact echo with a loud 'YES' to that question. Dear friends, that would be the album you know as 'Viva Emptiness'

"Truth to be told, this album's session was so full of obstacles that it compromised the end result with a subpar production, undeservedly affecting the musical quality of the album. We have always, and still truly love the songs we wrote on 'Viva Emptiness' and regularly continue to incorporate some of its classics in our live repertoire, even to a point where we notably realized they sound better on a live record than on the original studio album. So up until now, it's just been a dream of ours to go back and drag the album out of its 'misery' by treating it with what it so desperately has been longing for all these years: a complete remix and remastering.

"This year, time is approaching 'Viva Emptiness' with a 10th anniversary, so is there really something to celebrate? Oh yes, indeed! Our long lost mission objective will finally be completed! The album may now take that climb, in terms of audio quality, to be right up there proudly positioned beside its younger 'album brethren' — 'The Great Cold Distance', 'Night Is The New Day' and finally 'Dead End Kings'. We will give 'Viva Emptiness' the sound and production the songs always deserved by having our long time studio rat and collaborator David Castillo work his magic at his Ghost Ward studio. Secondly, another longtime collaborator of ours, namely Travis Smith, will give the artwork an enhanced continuation of the original theme that will keep the visual aesthetes at bay! And last but not least, the crowning of the celebration: We will take 'Viva Emptiness' with us on the road and play the album live in its entirety while performing as 'very special guests' to our 'tragic idols' in PARADISE LOST, celebrating their own 25th anniversary tour this fall. Viva 'Viva Emptiness' fulfilled!"

KATATONIA with PARADISE LOST and LACUNA COIL:

Oct. 30 - Wulfrun Hall, Wolverhampton
Oct. 31 - 02 ABC, Glasgow
Nov. 01 - The Ritz – Manchester
Nov. 03 - Camden Roadhouse, London

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